Pages

Showing posts with label hip hop related. Show all posts
Showing posts with label hip hop related. Show all posts

Does Hip Hop still sell products?

When I was a kid, Hip Hop was blissful unadulterated fun. It rewrote and remixed my childhood. Now it is truly a many splintered thing. Some good, some bad, some culturally regressive & asphyxiating. I believe after the first hot sixteen bars were vocalized someone tried to sell it. And Hip Hop has been selling every since.

Palm implores Hip Hops muscle by using the Mighty Mos Def to bring flavor, subtext and a modern context to Palm Os mobile phones. After seeing a million mobile phone commercials over the years this one with the Mos track actually made me pay a little attention but I don't know how much I care about it over all. I'm not knocking the spot itself, it shows up and does its job. The more I watched the spot, the more I like it. I'm not slighting the track. It feels fresh in and of itself, it's a great choice. But does it really help to sell them there phones remains to be seen. I'm happy the Mighty Mos is getting that endorsement money. He deserves it and like I said earlier it did make me look at a spot for a mobile device/software even without Flava Flav yelling at me, "Who Dis!?" But combined, does it interest you in this product? Maybe it would be a good idea if they included the actual artist?

Vitamin Water took a slightly different approach and actually got my attention and made me smile. Kid Cudi does the Voice Over, the music and may even actually be the character in the 'pillow-head' costume - or not. Either way he lends his relative celebrity and his "I'm your good buddy Kid Cudi" personality to this cleverly written commercial. But will it move VWater? Don't know, but, it certainly doesn't hurt the brand. It feels light hearted and very approachable. Unlike those early 50 cent - better work out or get the sh*t kicked out of you ads. This is lightyears away from that initial Vwater seriousness and a welcome breath of branding jocularity.
I think hip hop still sells and exceedingly well. So much so that parasitic Wigger rap is still showing no sign of being less offensive or more appealing to culturally clueless advertising agencies and giant general market advertisers. It's become an easy default comedic execution for so many ads it's dizzying. Hyp-hop-notizing even, so much so that Ad shops and their clients can't see beyond their dream of having done something like something else they thought was cool. The Art Director and Copywriter get to finally express the lukewarm adoration of the music, the client gets to sell up this idea to the lot above and say, "see this is what the kids are into and well, frankly you don't get it." The anachronistic mockery below is from P&G and well it's ridiculous to the 'F'th degree. 
But, will it sell? It would seem so, the audience and purveyors of ignorance knows no color line. But they do know the bottom line. Even though this is just a shell of what the best of Hip Hop was/is and can represent, it's still powerful and intriguing enough to at least get maximum attention for being immediately attractive, seducing, polarizing, ugly and ultimately penetratingly relevant to some part of its audience. 
The greater tragedy is the enormous lost opportunity to get in better - where they fit in. By that I mean look at where Vitamin Water took it. They embraced the art form of Hip Hop and had fun 'with' one of its emerging characters. This continues to build on the authentic base the brand has developed over the years. This 'Cudi' spot may be a one off, but its legacy will continue to swell. The Bounty and Muscle Milk ads scream, "we don't have any ideas and lack a central brand message to promote, so -umm, watch this, aint we cute?"  The oh so lame, outdated, sucking wind, zombie-won't-die, frat-boy humor in the Muscle Milk ad literally pains me to watch. 

More-over I wonder outside of the agency, who finds this amusing, entertaining, desirable or informative? Well, somebody does because the Bounty spot has landed over 400,000 hits, probably not the Moms or home category leader they are really after. But hey, they went viral right. Somehow this seems to be the ultimate goal in spite the damaging results. Also the Muscle Milk Mock-Hop has over 700,000 complete with ranting and warring comments like: "celebrating chumps everywhere and selling them shit to get them ready for spring break with hot bimbos/hoes" -teen17. The end justifies the mean words, I guess? So the lame-train has no end in site apparently. Due to the shorthand language nature of advertising, the homogeneity of staffing (DIVERSITY NOW!) and the ongoing popularity of Rap music, this dangerous admixture still has a few more debilitating bars to cough up and aimlessly spit out.


https://sites.google.com/site/mayuradocs/PinIt.png

Sprite Slam Dunk Commercials






Very, very, nice. This campaign could easily feel dated, and it does walk that line, but it feels more classic to me. If you put a sports shoe super at the end or even an HBO slam contest logo a the end it would be totally acceptable and wouldn't feel the slightest bit out of place. That is to say it doesn't give Sprite much ownership aesthetically but the spots are strong and you do see a Sprite logo at the end, so it sorta works for Sprite. Paul Hunter is a sick director and he brings a heavy air of authenticity to the spots. I do remember that Sprite used this kind of hip-hop ambiance to wipe 7-up off the face of the map! But who exactly are they swinging at now? I guess they just want to maintain a little brain real estate.













Mookie N 'Nem say...

The Sprite campaign is coo. Paul Hunter did his part. He shot the hell out of it.

However, it's nothing new. Nike did street poetry for basketball. Mos Def did poetry for Converse. Even the NFL did poetry via Don Cheadle.

So while we want to really, really dig it, the creators have got to make like Avis and try harder, man.







Mooooooookie-eeeeeeeeee!!!






















cred:
BBH New York, USA
Chief Creative Officer: Kevin Roddy
Creative Directors: Matt Ian, Amee Shah
Art Director: Josh Rosen
Copywriter: Mark Svartz
Art Poetry: by T. Miller
All Star Poetry: by Jon Beavers
Head of Broadcast: Lisa Setten
Producer: Orlee Tatarka
Production Company: Pretty Bird
Director: Paul Hunter
Executive Producer: Kerstin Emhoff
https://sites.google.com/site/mayuradocs/PinIt.png

Connecting Norway: Statnett


Here is a funny filled ad from Norway. It features ordinary unsuspecting Norwegians walking through life suddenly hit by the wave. Not the crowd sourced forced fun variety we get at the local stadium, but the old hip-hop corny cum cool once more style wave. Once again we see advertising from the world dip into the seemingly endless well of African American born boogie turned into worldwide accepted brand of cool. The best part about it is, it works. My obsession with white folks doing the robot aside, this spot delivers. It cleanly conveys the message of some sort of connection being between the people that is later revealed as a metaphor for the electric company. But the spot more than holds your interest to that end. Oddly enough if had been casted with all Black talent it would have fallen flat, be grossly cliche and in some ways problematic. So maybe my fascination with super imposed cultures has more basis than just anachronistic dance moves. Perhaps its more about me as an African American being delighted by the world wide acceptance of my culture. But I have to wonder what makes the same spot interesting to other people who don't share my immediate connection to Hip Hop music and culture? Is the music just that involving & fun? I think it is. Are the dance moves just that enticing? I'm almost certain of that. But there is something more here. I could go on for days pondering this. Tune in next week as I try to answer why the world is no longer flat.
https://sites.google.com/site/mayuradocs/PinIt.png

Diddy: Dirty Money Angels Teaser



Diddy's going and he's going hard, I think. Is that him singing? https://sites.google.com/site/mayuradocs/PinIt.png

Baskin-Robbins: Ice Cream and Cake



This is a great pick up on a song that's been bubbling under for a few years now. Yes, a few years! Never heard it? Me either, but the KMBA research Labs (Google) has done some snooping around and found that this spot has music from a group called "The Buckwheat Boyz." I'm not crazy about the name. I know that's going to start a long comment war with my friend Todd. Yeah I said it. But I think the song is mindlessly funny and the commercial is shockingly cool. The music is a rip on a few very popular "Too Live Crew, Luther Campbell, Poison Clan" song(s). This music was the very underbelly of rap music in it's day. These were strip club anthems that no one could ever imagine in a general market TV spot. But now, here they are all shiny and sanitized for you ice cream licking protection. ( Is this what Dan Wieden meant when he said, "...in this business I essentially hire a bunch of white, middle-class kids, pay them enormous, enormous sums of money to do what? To create messages to the inner-city kids who create the culture the white kids are trying like hell to emulate”?)

All that aside, I say, 'well did!' Little kids will love it, singing will commence, parents will hate it, ice cream will be purchased, little kids will consume and singing will cease (wipe kid, rinse kid, repeat purchase). Look, I see that it's incredibly stupid, but that's the appeal and for a major agency to pick up on it and the client to buy it is even more mind-numbingly hip. Well, it's hip for adults in an agency. The teen kids on the streets have all but abandoned this and moved on to the "Peanut Butter Jelly" song. The song even comes with a built in dance that came about pretty organically and while not corporately sponsored and can take on a life of it's own, this dance craps all over the potty dance. The spot doesn't talk down or patronize anyone, it simply whole-heartedly takes on the buzz, the cool, the kooky, the crazy, underground nature of the song and let's it breathe new life into and long standing brand. I say good work. Look for Skippy or Jif to get the "PBJ song" campaign going about 2013.






cred:
Hey AOR tell me who you are...
(CLIFF FREEMAN & PARTNERS??)
https://sites.google.com/site/mayuradocs/PinIt.png

Mentos: Beat It



“Killa enters into a beatboxing battle with a local, which soon becomes a battle for the affections of a girl.
The pair almost run out of steam before Killa’s competitor recharges with a stick of Mentos gum and promptly beats him and wins the girl.”




"...and wins the girl" As if she were lottery?!




cred:
BBH London
Agency Producer: Sam Robinson
Creative Director: Rik Brown; Jon Fox
Creative: Dan Bailey; Brad Wolff
Director: Guy Manwaring
Production: Sonny
Director of Photography: John Lynch
Editor: Mark Edinoff https://sites.google.com/site/mayuradocs/PinIt.png

Fine Artist: John Tindel






Spray paint, electrical tape & love. That's how John Tindel gets down to bid-ness.

See more southern fried love here. https://sites.google.com/site/mayuradocs/PinIt.png

Dr. Dre taking it slow in new Dr Pepper spot



Dr. Dre is the latest fake doctor contributing his name value to Dr Pepper. In Dre's case, he's also contributing the first officially released beats from the much-delayed Detox, his album that's due later this year, until it gets pushed back again. Nevertheless, Dre's imaginary medical credentials lend weight to his claim that "scientific tests prove when you drink Dr Pepper slow, the 23 flavors taste even better." And he's not alone. His colleagues Dr. J, Dr. Frasier Crane, and Gene "Dr. Love" Simmons (ew) all agree with him. Dr. Who and Dr. Wagner Jr. couldn't be reached for comment.
—Posted by David Kiefaber


Sneaked a freaked from Adfreak. https://sites.google.com/site/mayuradocs/PinIt.png

Lifestyles: Condom fairy



Is it just me or has anybody else noticed the influx of African American characters in advertising? Is this Madison Avenue version of inclusiveness and diversity? I'm glad Black actors are getting work.
I'm just asking.



cred:
AMP, Boston, USA
Production Company: BEST* Company Ever, El Segundo
Directors / Producers: Laura Murphy, Eileen Doherty
DP: Christophe Lanzenberg https://sites.google.com/site/mayuradocs/PinIt.png

Let A Stranger Drive You Home: Heineken Commercial



A funny spot from W+K. Oh, baby you, you got what I neeeeed...



cred:
Wieden+Kennedy
Director: Stacy Wall
Music: Biz Markie "Just a Friend" https://sites.google.com/site/mayuradocs/PinIt.png

Polkomtel 36.6: Beatboxing Beaver






cred:
Team One, Warsaw
Creative Director: Artur Dynowski
Art Director: Andrzej Blachut
Copywriter: Marcin Mroczek
Agency Producer: Jacek Daniel
Director: Brian Lee Hughes
Production Co: OPC, Toronto; Film Republic, Warsaw https://sites.google.com/site/mayuradocs/PinIt.png

HEADRUSH: Opening Title


Head Rush from panic embryo on Vimeo.


D'opening sequence for hiphop tv magazine show. Well did!



cred:
Craig Hunter Parker https://sites.google.com/site/mayuradocs/PinIt.png

Ambient Advertising Inspiration: B-Boy Lincoln




Abraham "B-Boy" Lincoln statue in Manchester, U.K.
"True Yank" Installation by Leon Reid IV sponsored by Urbis, Manchester 2009.

My "True Yank" Installation in Manchester, U.K. is a 150 year update of President Lincoln's gear. Homeboy needed it. Honest Abe had been standing there with decades old clothes even when the statue was made in 1919. He now has some bling to accompany his rock hard pose, and an oversized hat to represent the Yankees for which he was Commander-in-Cheif.

Although the installation looks guerilla in nature, it actually couldn't have happened without the permission and support of Manchester City council and the generous comission of Urbis. Thanks Mancs! (thats what they call Manchester people)



cred:
Leon Reid
Photos Courtesy Paul Luckraft https://sites.google.com/site/mayuradocs/PinIt.png

WiiSpray: Tech-Hop


WiiSpray Teaser from Martin Lihs on Vimeo.

Martin Lihs, a graduate student at the Bauhaus University in Germany, created this digital interface using Nintendo Wii technology. Here's how he explains it:

What is the "WiiSpray“ project?
Basically it is not about replacing real graffiti as a form of art. WiiSpray is rather to be seen as an interface to give graffiti a new virtual level outside of the real existing world.

The symbiosis of digital and analog as well as of the social network and overcoming distances. Everyone can use it, nothing is being sprayed on or being destroyed. Only you decide what to save because everything is virtual.


Thanks for the Heads Up ill Mami from the biblical rightiousness that is Soul Bounce https://sites.google.com/site/mayuradocs/PinIt.png

Artistic Inspiration: Brian "Deka" Paupaw

Hoods to Woods
Brian "Deka" Paupaw is a broadcast designer, creative director of the Se7en Nations clothing brand (still kicking?), a serious snowboarder, and now a filmmaker. He chronicles his journey from Bed-Stuy to South American back country mountains in his recently completed documentary, Hoods to Woods.

Hoods to Woods trailer #2 from Brian Paupaw on Vimeo.

This is amazing thinking. This is how you promote a brand. Taking two totally different worlds and merging them together and completely freaking the form.

African American Agencies should use this kind of innovation in a campaign instead of the family reunion... again.

It was screened in the NYC (March 5th, 2009):
Hoods to Woods Screening
Hosted by Filmmaker Brian "Deka" Paupaw
The Blue Seats
157 Ludlow Street, New York, NY 10002


another hot cop from the blindingly brilliant:
Style Noir https://sites.google.com/site/mayuradocs/PinIt.png