12/29/08

Fine Artist: Danté



One of my neighbors down the hall is a phenomenal fine artist by the name of Danté. Every few years we get together and rebrand dude. The things that come from this dudes mind and mouth are insanely artistically intelligent! His sense of humor is so deep it's troublesome. But the things that come from his brush I can't even begin to describe. So here is our meager attempt to visually encapsulate this expansive persona. Much love D! Shout at me when you get some minutes.


cred:
Culture A.D.

We are on our Kwaanza Hiatus, see you in the new year!


That's right in the 09! The year of Obama, we'll be back January 5th 2009.

12/23/08

Mother: Chris Christmas Rodriguez




Unwanted guests this year? Vote Chris Christmas Rodriguez to replace Santa this year. Mother london selfpromo 2007. I often wonder why advertising agencies don't more advertising. I guess it's just a waste for the general public to see when they really aren't the audience. So was this just done for cool points among agencies? Well, points scored, Got-Dammit!


cred:
Mother, London

12/22/08

Badu Commercial

Audi: Engine



Towards the vanguard of technique.


cred:
Tandem DDB Barcelona
Creative director: Jaume Badia

Baume & Mercier




cred:
2008scandinavia, Oslo
Creative Directors: Øistein Borge, Erik Heisholt
Production Company: Motion Blur, Oslo
Director: Bolt

12/21/08

Goldstar Beer: Flow chart





Thank God your a man. This idea seems pretty universal.


cred:
McCann Erickson, Tel Aviv, Israel
Creative Director: Ido Ben Dor
Copywriters: Asaf Zelikovich, Elad Gabison
Art Director: Geva Gershon

12/20/08

Nike: Swing Portrait with Tiger Woods



... and everybody else's swing sucks.

Choice FM | Kill the gun



This is a deeply moving spot. I did wince at the end.





!!! SPOILER ALERT IF YOU HAVEN'T WATCHED THE SPOT YET!!!

Wow. Why they gotta place a lil brother at the end of that?

12/18/08

Orange: Snoop Dogg


I'm the first person to laugh at the over used stereotype of white peoples' awkward approach to Black culture. The whole out of context colloquialisms and mis-repped phraseology thing. For some reason it's still funny to me. Hell, you get a white guy to do the robot and I'm out of my seat on the floor with a high pitched-version of Eddie Murphy's laugh (don't imagine it, it aint pretty). This spot was awful. Who raps about Crystal anymore. The spot starts with an anachronism and just feels wrong. If this were '01 it might feel more timely. Then the guy walks in and calls Snoop "Huggy Bear"??? That is an obscure reference from like '04, they're getting better, but still in the wrong half of the decade. I like that the "white guy' has a crew (although I'm pretty sure in this creative meeting it was referred to as a "Posse!"). Then to deeply salt my wounded mind they then commence with a rapid fire barrage of (what to call this?... oh, I got it) sanitized corporate "we use it in the board room now" rap-speak, ummm - izzle.
And WT(M)F was the unnecessary gun reference about. It's like they couldn't help themselves. It may have been funnier if he did shoot the guy. I know, now I'm reenforcing the stereotype. But you loved it when Indiana Jones just dropped a guy like that. OK so never mind that. But that ending rap "I'll spit it" was violence against my soul... Man down.


cred:
BRAND: Orange
AGENCY: MOTHER

Amnesty International: You Are Powerful



Deep. This is the kind of work I'm used to seeing from Mother. They usually kill it!

cred:
BRAND: Amnesty International
AGENCY: Mother

Goodyear: J-Lo




cred:
Advertising Agency: Y&R, São Paulo, Brazil
Chief Creative Officer: Tomas Lorente
Executive Creative Director: Tomas Lorente
Creative Directors: Tomas Lorente, Cassio Zanatta
Art Director: Axel Levay
Copywriter: Renato Ramalho

Nothing Grows By Chance.





I like concepts. Every ad doesn't have to have one to be good but, they sure make ads, websites, blogs, marketing plans & even media placement more interesting and memorable.

Hey, nothing grows or sells by chance.

DePaul Trust: Homeless




Homelessness starts at home.

Nice idea.

Brilhante: Dirty Words


Socks/Mud


Pants/Wine

12/16/08

Dior: J'adore



This Dior spot features Charlize Theron. It promotes J'adore perfume. But really, really, it stars Marvin Gaye! Funky, funky Marvin Gaye. The song completely makes the spot for me.




"... 2093, Light years ahead. You & me gonna be getting down on a space bed. We gon' get married in June. We gonna be gettin' down on the moon..."

Old School Coca-Cola: Gladys Knight



This spot is lovely! They should bring it back. Just feels good. That's Gladys Knight and the Pips, Bubba and the other two, let's call them Otis & Melvin (sounds like classic R&B group member's names, right).

** Idea!** Somebody should redo this with Beyonce's family. Tina and Matthew Knowles beside the fireplace pretending they still love each other. Beyonce rocking one of them fly ass lace front wigs. While Jay Z teaches his little nephew how to grip the mic. As Solonge enjoys a champagne and chronic night cap. Ah, the warm feelings...

But seriously, this is/was a great idea.

UPDATE: It's been done...


Illustrator: Frank Morrison





In Atlanta, in the very building I work in, I get a chance to meet some of the most amazing artist in the country. On any day I may run into Big Boi from Outkast, Daddy-o from Stetsonic, even Jill Scott has been spotted in the area. Just a few doors down from my studio is the one of those people. He's Frank Morrison. Often times when walking through the building I'm stoped cold in my tracks watching the brother create or spotting a new piece of his work. The brother is prodigious, he must create one or two new pieces a day.





The work is reminiscent of the great Ernie Barnes (think TV's "Good Times" closing portrait or all of JJ's work for that matter). But that's were Frank's work begins. From there he mines memories of a collective African American life experiences. Then he exalts the colors, engulfs the actions, re-imagines the movement and allows you to visually relive a moment you may have never experienced.






Frank Morrison was born in Massachusetts and then moved to New Jersey. He grew up during the early days of rap music, graffiti and break dancing. He was a well-known graffiti artist and an accomplished break dancer who was part of the Sugar Hill Gang's dance entourage. It was during one of the group’s European tours he got a chance to visit the Louvre in Paris and was so intrigued by the magnificent art that he decided, at that moment, to return to his roots and become an artist.

Survival



Full Frame Documentary Film Festival


Live Poker






cred:
DDB, Paris, France
Creative directors Alexandre Hervé, Sylvain Thirache
Copywriter Olivier Lefebvre
Art director Benjamin Marchal

California Love

Fatherhood PSA



Peeped from my peeps @ UrbanPrestige

12/15/08

MotionDesigner: Ratha Nou






http://www.stablished.tv



cred:
Ratha Nou

Design Inspiration: Brandon Charles








http://www.heybrandon.com

cred:
Brandon Charles

Designer, Director: Nate Howe





Nate Howe a freelance designer/Director from Los Angeles. He creates absolutely power visuals. His work is phenominal.

http://www.nathanielhowe.com


cred:
Nate Howe

Illustration: Aros







Inspiration comes as a wonderful character-based vector work by 27-year-old German artist Aros. I really enjoy his use of color and confident line work. More here.


cred:
Aros

12/14/08

Perlana Black Magic: Animals





"Keep the strength of black alive."


cred:
D’Adda, Lorenzini, Vigorelli, BBDO, Milan, Italy
Creative Director: Giuseppe Mastromatteo/Luca Scotto di Carlo.
Art Director: Serena Di Bruno. Copywriter: Giovanni Chiarelli.
Photographer: Fulvio Bonavia.

12/13/08

The Origin of the "O"



The role of graphic design, masterfully crafted and well maintained imagery play an unforgettable role in the Obama candidacy. There was quite a bit of speculation within the design community early on as to who created the the Obama logo. The cat's out of the bag now it was the design agency Sender LLC. This design has to be one of the most famous marks in recent history. It's sharp rise as the halcyon mark of our times is nothing short of brilliant. The logo took on a life of it's own. Even with the tight handed control of Obama's brand managers, the people couldn't get enough of the concept this elegant hoop embodied. The public exuberance, in stark contrast to the branding, led to an outpouring of unauthorized and even hand-crafted reproductions. In spite of the absence of graphic standards the logo was so well designed and it's symbolism so authentic it was never rendered unrecognizable or less potent. Even when done by a child, in crayon or on a donut.

That's some hellified branding!



More on the "O-thology" here.


cred:
Sender, LLC.

12/12/08

Kids Company: Produces poor product






For years in advertising, charities have always been a way for agencies to win awards. This is widely known/suspected amongst General Market agencies. The practice of approaching companies/charities with little or no budget and little or no interest in advertising for selfish gains is a dirty secret in the industry. The premise is; we will give you advertising for practically free but, we get to do any damn thing we want to. They usually go for shock value and ignore the intended audiences or the opportunity to truly help someone. The work is aimed directly at the award judges. All of the design du jour is employed to make it into a design/advertising annual and to garner the title award winning. This campaign seems to suffer from this kind of thinking.

The imagery and the copy is appalling! Poor choices abound.
The whole concept here seems to be these kids are bad! You should be afraid, but let's not put them all in jail. One of these ads actually shows a brain scan of a shriveled up inferior looking brain!!! WTMF!!!
Or simply to scare the sh*t out of white people by offering up young black people. Somewhere in here is a iota of intent to "help", but I can't find it. I can't get through the hate and see the hope. Makes me want to deliver a six pack of eye punch.


cred:
AMV.BBDO.
Art direction/ design: Paul Cohen.
Copy writer: Mark Fairbanks.
Photography: Thom Atkinson

Design Inspiration: Yulia Brodskaya





Yulia Brodskaya is a russian born graphic designer / illustrator now based in London. She specializes in a paper art techniques to create distinctive typography. These make for great headlines or principal art work.

cred:
http://www.artyulia.com

12/11/08

Design Inspiration: Violaine Barrois









These are great storyboards and style frames done by Violaine Barrois in France.

cred:
http://www.violainebarrois.com

Music I'd like see in a commercial Part V

Giovanca



Feel-good music with influences from pop, soul, jazz, Motown and hip hop. Perfect for a fashion commercial, shoes, yeah, shoes & her music would befit a cat food spot like a too tight tunic. Giovanca: I was born in the 70s and grew up with the warm sounds of Dionne Warwick and Minnie Riperton, in the 80s supplemented with a solid dose of pop, while in the 90s I completely lost my heart to hip hop. This creates layers which cultivate personality and at the same time establish a certain sound.



The end result is an extraordinary and diversified record with international allure. With Subway Silence Giovanca demonstrates that she will not be restricted by genre specific regulations.

12/10/08

Stefan Loose Travel Guide: No Need To Ask

Removed by request of the Stefan Loose Agency. I don't miss these horrible displays of human protracted hate.
(They only asked the black blogger to take it down. You can still sample the hate here, here, here, here, you get the point.

Funny how these stereotype ads done by a German Agency, only reinforce stereotypes of racist Germans.

It's sorta like the White kettle calling the Arabic pot Mexican!


cred:
Scholz & Friends, Berlin, Germany
Creative Directors: Michael Winterhagen, Joerg Jahn
Art Director: Marc Ebenwaldner
Copywriter: Alexander Schierl
Graphic Artist: Walter Ziegler

By popular demand!

Brain Boxing???




cred:
Impact BBDO Riyadh, KSA
Creative Director / Art Director: Ahmad Beck
Copywriter: Ziad Chehab

Browse, Brother, Browse

THE BLACKBIRD BROWSER



"Blackbird was developed on the simple proposition that we, as the African American community, can make the Internet experience better for ourselves and, in doing so, make it better for everyone. Primarily we believe that the Blackbird application can make it easier to find African American related content on the Internet and to interact with other members of the African American community online by sharing stories, news, comments and videos via Blackbird."


EuroStar: The Barber



Yep, you don't get much whiter than this. But it's just plain funny! I'm going to bite it and do the same thing with and afro. In a barbershop. Look for it coming to an Ebony or Jet magazine near you.

Whopper Virgins: Burger King



I was intrigued/bored by the whole white love/hate export of culture/schlock. I thought it may incite desire/ire from it's intended American audience.




I really love (kiss ass/suck up) the work of CPB. I wish they would hire (beg/grovel) another black guy like me. I could come in and act all militant/angry at the white folk and scare them into feeling guilty/magnanimous for saving the ad lorn ghetto child.

http://www.whoppervirgins.com

cred:
Crispin Porter Bugosky

National Sea Rescue Institute





Nice idea.

cred:
Ogilvy, Cape Town, South Africa
Executive Creative Directors: Chris Gotz, Gordon Ray
Creative Director: Ryan Reed
Art Directors: Jennifer MacFarlane, Carl Willoughby
Copywriters: Cuan Cronwright, Jake Bester
Photographer: Dave Southwood

I Got 99 problems...

12/9/08

Pepsi: Kung Fu Fighting



cred:
Almap BBDO São Paulo
Creative Director: Luiz Sanches
Art Director: Luiz Sanches
Copywriter: Tales Bahu
Agency Producer: Egisto Betti
Producer: Ran Holst
Director: Fredrik Bond

Nissan Crossovers



cred:
TBWA\G1 and TBWA\Paris
Erik Vervroegen : Executive Creative Director
Parag Tembulkar : European Creative Director
Ewan Veitch : Executive Managing Director
Marianne Fonferrier : Art Director
Ghislaine De Germon : Copy Writer

Design Inspiration: Halftonedef studios










cred:
Halftonedef studios

Beck's: Fusion






cred:
leo burnett, london

12/8/08

Hey Black hair care, here's something different


I love your quirky ways, the way you bend a creative brief (and my will) into something unrecognizable.



Music: Slow sultry saxophone music throughout

Voice Over: (Deep sexy Barry White type voice)

Dear client (you know who you are), I want you and me to do something new. I love you, I really do. I love everything about you. I love your quirky ways, the way you bend a creative brief (and my will) into something unrecognizable. The way you get damn jiggy with a budget. (sheepishly attempting to hold clients hand now) You know it's so cute when you act all mad and the way your nose crinkles when you reject potentially award winning ideas. This time let's switch it up baby. I want to do a hair care ad that doesn't show, well, hair. Not talking about a Brazilian wax baby. I just want to do it a little different. Not too exotic but, let's leave a little something to the imagination... baby.

(Insert; orchestral strings, wailing saxophone, black back up singers with rousing chorus, something about "the platinum perm box jones... something, something that rhymes with patron" here)

Nike After Six Sneaker



Nike After Six commercial with Lebron James and Nicole Scherzinger, not sure why there are two versions of this commercial, After Six and the other is called Over and Under, both spots are identical and the funniest commercial I have seen in awhile. The music in the Nike commercial is "Westchester Lady" by Bob James and "In the Mood" by Tyrone Davis.

cred:
Wieden + Kennedy, Portland
Creative Directors: Alberto Ponte, Jeff Williams, Tyler Wisenand
Creatives: Eward Harrison, Sasha Swetschinski, Desmond Marzette
Executive Producer: Ben Grylewicz
Agency Producer: Endy Hedman
Production Company: Hungry Man, Los Angeles
Director: Brian Billow
Executive Producers: Cindy Becker, Dan Duffy
Producer: Nate Young
Post Production: Filmcore
Audio Post: Joint Mixer: Charlie Keating

Photographer: Keith Major




"He uses his incisive focus to blur the line between the commercial and artistic."






Keith is probably one of the most level headed, incredibly intelligent photographers I've ever had the opportunity to work with. A day on the set is always filled with challenges, changes, dogma and drama. The man is unflappable and always gets the shot(s). He's methodical but loose while shooting. He has the rare ability to listen, process and then shoot beyond restriction while exceeding expectations. He uses his incisive focus to blur the line between the commercial and artistic. In a few words Keith is indeed major talent.

cred:
Keith Major



Behind the Scenes : Olive Oil Root Stimulator



We love black hair care (most days). So here is more black hair care.

cred:
foundationcontent

Ford F150 & it's inspiration



... and where I think it may have come from.



I like'em both.

12/7/08

Green Initiative™ ad campaign





cred:
Orange 32

The Diamond Empowerment Fund



This is a part to the whole Green Initiative™ Campaign for Simmons Jewelry Co. The Diamond Empowerment Fund is a non-profit whose misson is to raise money to support education initiatives that develop and empower people in African nations where diamonds are a natural resource. We like the idea and think you should give them some money here.

THE OSMOSIS PRIZE


THE OSMOSIS PRIZE for a poster designed around a social theme went to Michal Batory, a Polish designer living in France. Project Osmosis, a Chicago nonprofit, engages design professionals from various disciplines to ignite Chicago kids’ and teenagers’ interest in careers in design.

12/6/08

Susaron Anti Stress Tea




cred:
TAPSA Madrid, Spain
Executive Creative Directors: Julián Zuazo, Tute Ostiglia
Creative Director: Eduardo Martinez Gil
Art Director: Hernán Rodriguez
Copywriters: Ernesto Soto, Martín Feijoó

12/5/08

Akbank


Now this is what you call painting the pig. It's a bank for goodness sake. I do like they way it looks though.

T-Mobile: Yao's Comfort Food



cred:
Publicis in the West, Seattle

Gatorade kids




That Ali piece made me L-the F-O- L!!!

cred:
ALMAPBBDO, Sao Paulo, Brazil
Executive Creative Director: Marcello Serpa
Creative Directors: Luiz Sanches, Dulcidio Caldeira
Copywriter: Gustavo Sarkis
Art Director: Renato Fernandez
Account Supervisor: Ricardo Taunay
Advertiser's Supervisor: Guillermo Roman

Sprite: Thirst Never Wins


Some of that ol' fake retro viral video funk.
cred:
McCann Erickson Dublin, Ireland
Creative Director / Art Director: Shay Madden
Copywriter: Conor Ferguson
Producer: Genie Dorman

Hollywood Logos

I know, I know... what's so "black/multicultural" about this. I just love design history. So go 'head read up learn a thing or two. It'll enrich you. I'm sure one of these studios had to make a blaxploitation film at some point. I reach deep, but I makes it happen!



1. DreamWorks SKG: Boy on the Moon


In 1994, director Steven Spielberg, Disney studio chairman Jeffrey Katzenberg, and record producer David Geffen (yes, they make the initial SKG on the bottom of the logo) got together to found a new studio called DreamWorks.

Spielberg wanted the logo for DreamWorks to be reminiscent of Hollywood's golden age. The logo was to be a computer generated image of a man on the moon, fishing, but Visual Effects Supervisor Dennis Muren of Industrial Light and Magic, who has worked on many of Spielberg's films, suggested that a hand-painted logo might look better. Muren asked his friend, artist Robert Hunt to paint it.

2. Metro-Goldwyn-Mayer (MGM): Leo The Lion
In 1924, studio publicist Howard Dietz designed the "Leo The Lion" logo for Samuel Goldwyn's Goldwyn Picture Corporation. He based it on the athletic team of his alma mater Columbia University, the Lions. When Goldwyn Pictures merged with Metro Pictures Corporation and Louis B. Mayer Pictures, the newly formed MGM retained the logo.

Since then, there have been five lions playing the role of "Leo The Lion". The first was Slats, who graced the openings of MGM's silent films from 1924 to 1928. The next lion, Jackie, was the first MGM lion whose roar was heard by the audience. Though the movies were silent, Jackie's famous growl-roar-growl sequence was played over the phonograph as the logo appeared on screen. He was also the first lion to appear in Technicolor in 1932.



3. 20th Century Fox: The Searchlight Logo



In 1935, Twentieth Century Pictures and Fox Film Company (back then mainly a theater-chain company) merged to create Twentieth Century-Fox Film Corporation (they later dropped the hyphen).

The original Twentieth Century Pictures logo was created in 1933 by famed landscape artist Emil Kosa, Jr. After the merger, Kosa simply replaced "Pictures, Inc." with "Fox" to make the current logo. Besides this logo, Kosa was also famous for his matte painting of the Statue of Liberty ruin at the end of the Planet of the Apes (1968) movie, and others.

4. Paramount: The Majestic Mountain




Paramount Pictures Corporation was founded in 1912 as Famous Players Film Company by Adolph Zukor, and the theater moguls the Frohman brothers, Daniel and Charles.

The Paramount "Majestic Mountain" logo was first drawn as a doodle by W.W. Hodkinson during a meeting with Zukor, based on the Ben Lomond Mountain from his childhood in Utah (the live action logo made later is probably Peru's Artesonraju). It is the oldest surviving Hollywood film logo.

5. Warner Bros.: The WB Shield

Warner Bros. (yes, that's legally "Bros." not "Brothers") was founded by four Jewish brothers who emigrated from Poland: Harry, Albert, Sam, and Jack Warner. Actually, those aren't the names that they were born with. Harry was born "Hirsz," Albert was "Aaron," Sam was "Szmul," and Jack was "Itzhak." Their original surname is also unknown - some people said that it is "Wonsal," "Wonskolaser" or even Eichelbaum, before it was changed to "Warner." (Sources: Doug Sinclair | Tody Nudo's Hollywood Legends)



6. Columbia Pictures: The Torch Lady



Columbia Pictures was founded in 1919 by the brothers Harry and Jack Cohn, and Joe Brandt as Cohn-Brandt-Cohn Film Sales. Many of the studio's early productions were low-budget affairs, so it got nicknamed "Corned Beef and Cabbage." In 1924, the brothers Cohn bought out Brandt and renamed their studio Columbia Pictures Corporation in effort to improve its image.


cred:
Neatorama

Sears: Old school degradation


"...fashionable chubby sizes..." By todays standards, she doing pretty good.

Design Inspiration: Public Enemy concert poster




Tom Ford


Is that Erykah Badu or Diana Ross?

12/4/08

Verizon shot by Kareem Black


McDonald's Ramadan



Smart from my American Point of view. I wonder if these are offensive to anyone???

12/3/08

The Gazette: I had a dream



Ummmm... not so much.
The dream is still being sought after. Racism, Poverty, Indifference to suffering are all alive and kicking much ass. I understand the effort but, it's incongruous with the rhetoric of Dr. King.

Cred:
"When Barrack Obama was elected, Martin Luther King's dream came true. This ad was release the day after the election."

Advertising Agency: Bleublancrouge, Montréal, Canada
Creative Director: Gaëtan Namouric
Art Director: J.F. LeBlanc
Copywriter: Sébastien Maheux

Greater Chicago Food Depository: Food shouldn't be a luxury





Great concept!

cred:
Credits:
Client: Greater Chicago Food Depository
Agency: Leo Burnett, Chicago
Executive Creative Director: Bob Winter, Reed Collins
Art Director: Stephanie Simpson
Copywriter: Dave Derrick
Design Director: Alisa Wolfson
Senior Producer: Laurie Gustafson
Producer: Adine Becker, Jordon Varichak
Photographer: Liz Von Hoene
Content Architect: David Moore
Studio: Schawk Creative Imaging

12/2/08

Microsoft Zune


Ever notice just how hard Microsoft is trying to sell the Zune. I think if they stopped trying to feel organic and just let it quietly be -- it would happen. Look people just love a backlash and the glorious iPod is about due for one. I have an iPod that just died, (R.I.P. D.J. Ferbert, yep, named it Ferbert) but I'm really in the mood for something new. But Microsoft's brilliantly beautiful hard sell leaves me a little leery. I'm wondering what's wrong with the thing. Other than it may not be compatible with all my Apple products, I really wonder what's wrong with that dang thang. If they just ease up a bit and made it compatible with my sh*t. I might Zune it up a bit.

Music: N.E.R.D.



I love this spot "That's because it has the SoulSonic Force type of funk". Just the whole Old school meets, um, not so Old school hip hop. The track from Common and the Neptunes is B-B-Bangin'! It's starting to fell like a softer sell. I thin k it was done by Crispin Porter.

Ikea: Diversity




You have to click these and see them up close.

Ambient advertising: Weeds


Most ambient advertising has a big head start. Because it starts off in places that are unexpected and subsequently uncluttered. This promotion for the Television series "Weeds" does just that and a little more.

Nokia: Bruce Lee, Ping Pong



This spot is incredibly fun, though low on product benefit. It was created to advertise a special edition of the product to commemorate Bruce Lee. How can you go wrong with Bruce Lee. There has always been a strange kinship to Bruce Lee in the African American community as I imagine in many other places around the world. The very idea that he could perhaps play a doubles table tennis match alone and with nun chucks is hilarious! Note the cinematography, although it mimics amateur video, it really tells the story. It's very memorable.



12/1/08

Design Inspiration: Retna (from the 7th Letter Crew)

VIMBY - Retna

Whoa!

Design Inspiration: Gnarls Barkley


Normally I would put this under "music I'd like to see in a commercial." (This would make for a cur-azy backdrop to a TV commercial. As always these guys are impressive. They are not afraid to bend the genres of music, race and conventional thought. I mean these are two hip-hop bred geniuses who have totally embraced the original hip-hop spirit of exploring music and sampling not just sounds but culture and artistic technique. Danger Mouse once again ally-oops with a new sound and Cee-Lo takes it to the proverbial hoop. As usual I'm thinking great music for a pet food commercial and dammit I don't know why!

REMY MARTIN: BlackPearl


A $35,000 Bottle of Cognac. Wait a minute I thought P. Diddy Bottled ego already? What exactly do you do with this? I don't know about you but, I got $5 on it. Now I need 6999 more people to get down with this, I'll be golden.

Smell Like Diddy


Diddy says, "OK. We have a Black President elect. How can I still some of that thunder... How do you bottle my ego?"

The Photography is grrrrrrrrrreat!