11/30/08

Music I'd like see in a commercial Part IV



Sarah White’s new EP Hiding Blind is kitsch yet a charmingly uncanny and mystical work of art. The smoky-eyed chanteuse is a songbird of a different flock with a sound fusing electrodub, crunk sounds, hip-hop, tribal and jazz-soul among other genres and interesting lyrical content. White does something rather odd: she sings in a somewhat haiku, on topics ranging from sexual encounters and unrequited love to rather interesting music.
http://blog.nu-soulmag.com



The good part of the song begins about a 1:15 seconds on this remix.

cred:
Sarah White

Graphic Inspiration: Noel Waggener






Noel Waggener is a self-taught graphic artist who has been producing artwork since 1995. His interest in record collecting and ephemera inevitably has a direct connection to and influence on his work. He founded SubCulture Press in 2002 to give name to the series of silkscreen prints and packaging projects he'd designed that incorporate "lost" and "forgotten" subcultural imagery he believes can and should be re-presented in contemporary context. As a graphic designer, Noel specializes in individual and organic designs for unique individuals and organizations.






cred:
http://www.subculturepress.com

11/29/08

Adidas: Celebrate Originality


Wow, it's more like celebrate celebrity. I love the look... and the star power.

11/27/08

HAPPY THANKSGIVING!!!!

11/26/08

LeBron James "Chalk" Commercial for Nike Zoom LeBron VI

11/25/08

César Evangelista Bautista







cred:
http://www.kamikace.com

The Marines: General Market vs. African American

General Market 2008


VS.


African American Market


White creative teams are all like " ... a life of courage and a commitment to something greater than themselves..." and let's use some classical sounding horns with a funky slow blues beat as not to be too... well you know white.

Black creative teams are all like "... don't quit, if you quit now you'll always quit in life..." let's exploit that whole black people can't swim thing. Oh yeah, let's have a recollection of some that ol' Louis Gosset Jr. drill sergeant riding his ass, for good measure.

Who did it best?

HQ Fonder: Africa



OK.

cred:
Agency: RBK Communication, Sweden
Creative Director/Copywriter: Fredrik Dahlberg
Art Director: Erik Larsson
Photographer: Erik Hagman
Designer: Åsa Waernér
Account Director: Fredrik Linder
Account Supervisor: Mathias Wikström

Blingola



Note to self: The mirrored image look is getting played. Don't do it again, got it?!

cred:
Agency: Black River Football Club, South Africa
Creative Director: Ahmed Tilly
Art Director: Nicole Cohen
Copywriter: Spike Kunene

11/24/08

Electric Heat










They really do bring the heat.
cred:
http://www.electricheat.org

Design Inspiration: Jim Rugg










These are fun. "Shock A Con!"

cred:
http://www.jimrugg.com

Andrea Klarin: Photographer






cred:
http://www.andreaklarin.com

Studio KXX








cred:
http://www.studiokxx.com

11/23/08

Channel O: Stars and stripes


South Africa celebrates an Obama victory in an ad.


cred:
Advertising Agency: Ogilvy, Johannesburg, South Africa
Creative Director: Jonathan Beggs
Art Directors: Thule Ngcese, Carl Willoughby
Copywriter: Mbulelo Nhlapo
Account Director: Kay Motuba-Warie

SBS / First Australians






cred:
Advertising Agency: RazorJunior Sydney, Australia
Typographer: Len Cheeseman
Designer: Stephen Cicala
Creative Director: Josh Moore
Copywriter: Giuliana De Felice
Art Director: Tim Chenery
Account service: Nathan Bell & Alex Tracy
Studio Designer: Allister Eather

11/22/08

McD's Speechless


I like that they tried something new. They get a "B" for effort. It's interesting, gets your attention. I wonder what it would be like if they parodied the music video genre more tightly. They found an video regular in the female lead. A real "artist would have really had you fooled for a second, perhaps leading to a greater payoff. Isn't Glenn Lewis available, hell Bobby Brown is looking for a payday. He could be the black K-Fed.


The Nationwide spot really went there. It was uncompromising in its approach to the parody. You really believe it's a K-Fed video (which is a joke within itself) before they let you in on the big pay off.

11/21/08

Rainha for Gucci

SportLife Gum





cred:
Advertising Agency: UbachsWisbrun / JWT, Amsterdam, the Netherlands
Art Director: John De Vries
Copywriter: Wouter Kiewiet de Jonge
Creative Directors: Nico Akkerman, Bart Kooij
Photographers: Alex ten Napel, Mitch Jenkins
Art buy: Lia Wals
Post production: Magic

11/20/08

Niark 1





cred:
http://www.niark1.com

Sick Systems





cred:
http://www.sicksystems.ru

Inspiration is where you find it.

Nick Cave is an incredible fine artist. Sometime I have to get as far away from advertising as possible to be really inspired.




more @ http://www.jackshainman.com

11/19/08

Music I'd like see in a commercial Part III







The Verve remixed compilations are edible audible fun. So much material here that could perfectly underscore any commercial. Music is the perfect way to bring in star power or depth to a spot. These CDs feature classics like Nina Simone, Ella Fitzgerald & James Brown remix with some of the best new DJ's and producers.

M11X shows us behind the scenes of how he created the latest album art.






cred:
http://mjhgalleries.blogspot.com

Greenpeace

Declare yourself (part III)

Making Out Is Legal

This spot actually made me uncomfortable. So I thought I better post it. Brothers... calm down.

Thanks Johanna!

cred:
CLIENT Declare Yourself / Power of Entertainment

AGENCY Mammoth Creative Inc.
Creative Director/Art Director David Gassman
Creative Director/Writer Johanna Stein

PRODUCTION
Director Suzanne Luna
Producer Kevin Matusow
Director of Photography Kristy Tully
Production Company Traveling Picture Show

Online Riot
Colorist Marcelo Aprile

www.(they are new & don't have website yet).com

11/18/08

Indie Black Film festival








cred:
Culture A.D.

The Amero


G'Obama, get money...
(The US version of the Euro)

Shepard Fairey on Prop 8


Shepard Fairey has designed a new poster in repsonse to Proposition 8, which was approved in California on election day.

MLK64





cred:
Ryan Hageman

Ohio Players Album Art


Was there anything more erotic (to a little kid who had no idea what eroticism was, or why he couldn't stop staring at the icky, cootie ridden, naked lady who made his pants feel funny) than a Ohio Players album cover.


My dad would always keep these a vinyl disc or two back from the front of his neatly arranged rows of classic-plastic 70's funk. But me and my older brothers made sure our musical, if not visual, favorites stayed mysteriously in eye shot. As if the covers weren't provocative enough, the cover art fold-out gave you the full Leroy!


We knew if we heard the dulcet funky yelps of the eye-patch afro coiffed lead singer Sugar-foot sangin' "sweet sticky thing" "Skin tight" or "Love Roller-coaster" We should come around to see, I mean hear what Daddy was jammin' to.
"Love roller coaster, say what chile, Love roller coaster, Let me ride one mo time, yeah!"


Now days this kind of photography is reserved for lotion ads. Even though I suspect they've always been good for lotion sales (Nah-mean).

Nike, Run, Jump, Fly





Glorious.


Established in late 2005, UFHO originally served as a moniker and online presence for showcasing various creative work done by JUN a 25 year old designer from Singapore.

cred:
http://www.ufho.com

Vault 49





cred:
http://www.vault49.com

11/17/08

If Mos Def were President!


Good magazine has a swinging line of videos out there floating through the intertubes (the series of connected pipes our still President Bush described). Here one of my favorites.

Black Monday er, Friday... Black Christmas is coming.



I love Janelle Monae. She is someone who's music deserves to be in a commercial but hey, her being in the spot is even better.


Flo-Rida in a Christmas spot? He pulls it off, almost flawlessly.

Bonafide Black Coffee






Folks are demanding these get booty awards! (what up Riv!)
cred:
Advertising Agency: Craverolanis, Buenos Aires, Argentina
Executive Creative Directors: Juan Cravero, Darío Lanis
Creative Directors: Toto Marelli, Juan Pablo Lufrano
Copywriters: Juan Pablo Lufrano, Toto Marelli
Art Directors: Toto Marelli, Juan Pablo Lufrano
Photographer: Buenavista Fotografía

Sander Staal


cred:
Sander Staal

11/15/08

"African American Advertising" ....


...Or was it Colored Commercial Arts back then. In some ways "African American Advertising" hasn't advanced very much from this kind of imagery. In many ways it has. The imagery is representative of the values we aspired to and in many cases we actually attained.


It will be interesting to see where things will progress to as the term "Post Race" becomes propagated throughout the vernacular. Even though some things have changed for the better, much remains the same.

Brother


Richer colors with Brother.

cred:
Duval Guillaume Antwerp, Belgium.

Amnesty International




Amnesty International print work. From

cred:
TBWA Paris
Photographed by Michael Lewis

11/14/08

Fenchurch



Meh?

cred:
McCann, Amsterdam, The Netherlands
Art Director: Paul Best
Copy writer: Paul Fraser
Photographer: Maurice Heesen

CareerBuilder.com



cred:
Wieden+Kennedy.

Comrade: Photography






Comrade; a friend or companion / from late latin: camera.
Comrade started as an outfit for two art school buddies to make images behind. Andrew went on to pursue other interests but, still comes around from time to time to lend his talents. Michael contunes to work under the moniker but, does not personally go by the name "comrade".

Adidas: Haile Gbrselaissie



Here's some insight from the campaign creators: "'Shoes designed not to be noticed.' This was the basic idea behind the fall/winter '08 running campaign. We arrived at this because we hit on the truth that you really only notice your running shoes when they feel bad."

"But when they feel good, rather than notice them, you notice other things. Yes, you notice your surrounds, but you also notice you.

You notice your breathing, your hard-working muscles, your mind that's been allowed to wander.

You notice you're running further.

You notice you're actually enjoying running!

You notice that all of a sudden achieving your impossible is in fact, anything but."


This is how the 180 team was able to hone down to the purity of this campaign and deliver an unfettered message. The ads speak from an intimate place that only runners truly understand and appreciate.




These were sent by Jessica at 180 in Amsterdam. It's more from the moving and thoughtful Olympics campaign. I must say I'm a little amiss here. I have never heard of Haile Gbrselaissie. Even so in the TV spot they quickly transfer a sense of who he is and his total resolve to his life's pursuit. Well done 180!

cred:
180 Amsterdam
Now if I could just get Jessica to send me some names to credit here, my life's pursuit would be total.

Update: Got the credits, they read like the credits at the end of a major motion picture (so here is the short film version).



cred:
Client adidas International
Kieran Riley Global Brand Communications Director

Agency: 180 Amsterdam (180\TBWA)
Richard Bullock Executive Creative Director
Paulo Martins Associate Creative Director
Carlos Furnari Associate Creative Director
James Sadler Art Director
Paulo Martins Art Director
Carlos Furnari Copywriter
Emile Wilmar Graphic Designer

Thanks Jessica!

Miles Davis Group

Listerine




Simple, concise, effective.
cred:
JWT San Juan, Puerto Rico

WonderBra



11/13/08

White Gold






Don't worry, you're still at Kiss My Black Ads and I will figure out a way to make this all about the blackness. But dang I totally missed this campaign. (Undoubtably a nefarious plot cooked up by the man due to his low tolerance threshold for the lactose intolerant a.k.a. the Black Man!) It was a viral I believe by Goodby, Silverstein & Partners of San Francisco. These sh*tz are hilarious. The over the top rock guitarist chocking his wailing milk ax into sonic submission, the dramatically empty hand gestures and that f*cked up 80's rock band hair, I love it. It reminds me of watching MTV back in middle school with Chad and Becky in my Mom's basement with... uh, um, yeah the man be holdin' us back from stuff. Because he knows we on the come up! Yeah! this is some ANTI-Obama sh*t. I see it coming from miles away. I peeped it. Yeah, what's up with them beautiful black sisters in the background. Never mind how historically accurate it may look. They always feel that coolness and unmittigated sex appeal can be achieved by proximity to women of color. In spite of me liking this campaign, I'm really mad about it! O.K. not really, Becky if you're out there twitter me.


http://www.whitegoldiswhitegold.com

11/12/08

Rainha Shoes




If you lived the 80's it's retro. If you were made in the 80's it's trendy. Nice graphic work for Rainha Shoes. I post a lot of sneakers. I need to expand my world view, maybe post about some socks or something.

cred:
Talent, Sao Paulo, Brazil.

Chevy spoofs Citreon

The original from a few years back...



The new spoof...

Cannes08 : HBO

Cannes 08: Mir Black




Keep Black Strong

Careerbuilder.com




New print campaign from Careerbuilder.com. Tag line : "Maybe it's time to move on".

Adidas: Gold





Love the type treatment.

cred:
Advertising Agency: 180\TBWA, Amsterdam, The Netherlands
Creative Directors: Dean Maryon, Paulo Martins, Carlos Furnari
Via: elmaaltshift

11/11/08

Converse - Dwyane Wade "Same Day, Same Story



D. Wade confronts the hate daily – yearly. What an inspiration. Nice spot.



I always love the process, so here's a lil behind the scene.

Adobe Photoshop CS4: As real as it gets


Anyone who's spent (more than) a few hours in chained to the screen in Photoshop can appreciate this ad.

Pedigree: Obama



The timing of this ad is keen, the context is slightly askew. The brother told y'all he needs a hypoallergenic mutt. Not some hobo hound that's gonna have baby girl wheezin'. This dog is cute as hell but, just the look of him has me itchin' and sniffin'. I love dogs... mean it. (sniff)

cred:
Advertising Agency: Weber Shandwick Chicago & TBWA\Chiat\Day, Los Angeles, USA
Global Director of Media Arts: Lee Clow
Executive Creative Director: Rob Schwartz
Creative Director / Art Director: Margaret Keene
Creative Director / Copyriter: Chris Adams
Photographer: Josh Withers

Olay: Bouncer



Stan, does this guy look like Mudu to you too????

cred:
Advertising Agency: Saatchi & Saatchi, Dubai, UAE
Creative Director: Ed Jones
Art Directors / Copywriters: Neeraj Sabharwal, Anjum Shaikh
Photographer: Candy Kennedy

11/10/08

Declareyourself.org


I posted the print ads earlier here.

cred:
Advertising Agency: Mammoth Creative
Creative Director: Dave Gassman, Johanna Stein
Art Director: Dave Gassman
Copywriter: Johanna Stein

Circular Painting; South Africa


Circular Painting from Fly on the Wall on Vimeo.

Ogawa Massage Chairs


Tagline: First class massage experience

cred:
Brand: Ogawa Massage Chairs
Agency: Grey Kuala Lumpur
Executive Creative Director: David Sin
Art Director: Andrew Fong
Copywriter: Andrew Fong
Art Director: David Sin
Country: Malaysia

Obama said I can... (just watch)



This is a parody ad with a slightly different outcome than the original. You may be able to guess how the original went. (It was a condom ad)

CHOCOLATE PILLOW : regarde à l'intérieur


Really.

Bailey's lips

Black Revolutionaries don't get this...



…And so it begins Post racial advertising! We can do anything we want to now. "Negroes done got themselves a president. They won't mind a little ill placed, ill conceived funny stuff. After all, now they are the man and everybody knows you can make fun of the man!"

cred:
Advertising Agency: ACLC, Toronto, Canada
Creative Director: Tony Miller
Art Directors / Copywriters: Natasha Romanelli, Ann Aberin
Photographer: Matt Barnes
Account Supervisor: Anne Cayer
Print Production: Darcy Paniccia

Georg Olden, rocking the status quo (or The real black Don Draper)






Born 1920, Birmingham, Alabama
Deceased 1975, Los Angeles, California

Recognized for his pioneering contributions to the field of television graphics and for leading the way for future African American designers.

In 1945, before Jackie Robinson played Major League baseball, or Marian Anderson sang at the Metropolitan Opera, Georg Olden, the grandson of a slave, took a job with CBS. There, as head of the network’s division of on-air promotions at the dawn of television, Olden pioneered the field of broadcast graphics. Working under CBS’s art director, William Golden, he supervised the identities of programs such as I Love Lucy, Lassie and Gunsmoke; helped produce the vote-tallying scoreboard for the first televised presidential election returns (the 1952 race between Dwight D. Eisenhower and Adlai E. Stevenson); and collaborated with esteemed artists and designers, including David Stone Martin, Ed Benguiat, Alex Steinweiss and Bob Gill.

Olden was widely celebrated in his day. The 1981 reference book 250 Years of Afro-American Art: An Annotated Bibliography notes that between 1951 and 1960—the year Olden left CBS to work in advertising—his name appeared 108 times in Graphis and Art Directors Club annuals. By 1970 he had won seven Clio awards and had even designed the Clio statuette in 1962, a figure inspired by Brancusi’s Bird in Space sculpture. Olden was respected not only for helping to usher TV from a fledgling industry into a golden age, but also for serving as a model for black America. Ebony magazine profiled him several times in the 1950s and ’60s as one who had grasped the opportunities offered by a new communications medium and risen to an executive rank. But it was far from easy. In 1954, Ebony reported that of the 72,400 people employed full-time in television, fewer than 200 were black. The jobs included “print-machine operator” and “wardrobe mistress.” “Acceptance is a matter of talent,” Olden told the magazine in 1963. “In my work I’ve never felt like a Negro. Maybe I’ve been lucky.”

(He and I have something in common, I too sir, have never felt like a negro in my work!)

cred:
http://www.aiga.org/content.cfm/medalist-georgolden

Get your war on!

Get the latest news satire and funny videos at 236.com.

Music I'd like see in a commercial Part II


Mélissa Laveaux plants the raw sounds of hand claps, acoustic guitar & wrenching lyrics into your mind and lets them grow. Her words are plant-like intelligent life. They are expressed through a love of vocal craft and musical proficiency. She calls them happy accidents, I call them audio luminescence. Her music would be great in an general market TV spot... it would be poignant in an Multi-Cultural spot.




cred:
Mélissa Laveaux

Blackoholic






cred:
Black and Cool
Agency: Talent, São Paulo, Brazil
Creative Director: João Livi
Art director: Fábio Astholpo, Fábio Rodrigues
Copywriter: Philippe Degen
Photographer: Edu Rodrigues

Music I'd like see in a commercial Part I



Grace is back And she's more "Strangé" than ever. This will be all over fashion show catwalks (if it wasn't all ready). This music would be nice for say, I don't know... a cat food commercial. For some reason I always envision music to pet food promotions. Not the scary dialogue in the first part of the song for a commercial, just the brooding, trip-hop, cat food eating disco part of the song.

cred:
Grace Jones

11/9/08

NIKKI FARQUHARSON; Illustrator/Designer






cred:
http://www.nikkifarquharson.com

Evgeny Kiselev, Illustration






The diverse work of Evgeny Kiselev oscillates between the rigors of symmetry and prolific excess. Several compositions begin with vivid tiled patterns that are mirrored again and again until they can no longer be contained and are forced to push beyond the confines of their logic. Others, emerge from a single outline that manifests the controlled lawlessness of the work. Each piece achieves a complexity of color and layer that continues to build infinitely into the space of the page creating a warping spatial depth.

Portfolio: http://www.ekiselev.com

Will I Am; It's a new day

11/7/08

“Afrodisiaque” Mario Testino, Photographer






Excellent work. Models: Lakshmi Menon and Yasmin Warsame

cred:
November French Vogue

11/6/08

Bit Copa, Brazilian





cred:
Advertising Agency: Jung von Matt Alster, Hamburg, Germany
Creative Directors: Goetz Ulmer, Fabian Frese
Art Director: Christian Kroll
Copywriter: Peter Gocht
Photographer: York Christoph Riccius

Brahmanamillion





Great art direction with wonderful illustrations. All three styles done by the same illustrator.


cred:
Advertising Agency: Mcgarrybowen, New York, USA
Executive Creative Directors: Warren Eakins, Randy Van Kleeck
Creative Directors: Mark Koelfgen, Lew Willig
Art Director: Lew Willig
Copywriter: Mark Koelfgen
Illustrator: Speto

Heineken? Looks like Guiness







Isn't Heineken in a green bottle?
That's all I'm sayin'.

Be Yezzie!





The TV spots are so much better than the print. In spite of the campy technique employed, the print ad doesn't seem to encapsulate the concept at all.





cred:
Advertising Agency: TBWA\Chiat\Day, New York, USA
World Wide Creative Director: Rob Smiley
ACDs: Chris Lisick,Lew Willig
Producer: Winslow Dennis
Production Company: Smith & Jones Films
Director: Ulf Johansson

Boys & Girls Club





cred:
Advertising Agency: Hill Holliday, Boston, USA
Creative Directors: Doug Gould, Dave Smith
Art Director: Doug Gould
Copywriter: Dave Smith
Photographer: Christian Kozowyk
Chief Creative Officer: Kevin Moehlenkamp
Calligrapher: Valerie Thomas

Kareem Black; Photographer




This guy is really good. I haven't had the pleasure of working with him yet, but it's just a matter of finding the right client/project. I love when artist are so technically proficient that they are able to seamlessly express themselves. These Kool-aid ads are simply amazing. The nostalgia imparted by the imagery is spot on! These ads should have appeared in the Communication Arts Advertising Annual & the Photography Annual, but the fact is they would never in a million years understand how effective these ads are. I know these have been out for a while and I'm a little late to these but, they are very praise worthy.I think the Ads are from Uni-World. Great job!

cred:
Kareem Black

I'm trying to stop...



But the hits just keep coming. Dig this!

11/5/08

Declare yourself






photo cred:
David LaChapelle

Obama font, seriously, a font




cred
http://jeffdomke.com/?p=374

Have I posted this yet?

Honeydripper


11/4/08

Amnesty International



Vote, the intergalactic kids do

See more funny videos at Funny or Die

That's all I'm sayin'.

HOPE YOU VOTE







11/3/08

Heineken



Nike Step


My personal inspirations: Herb Lubalin





This project was the inspiration for Spike Lee's Jungle Fever poster.



Herbert F. (Herb) Lubalin (1918 – May 24, 1981) was a prominent American graphic designer. He collaborated with Ralph Ginzburg on three of Ginzburg's magazines: Eros, Fact, and Avant Garde, and was responsible for the creative visual beauty of these publications. He designed a typeface, ITC Avant Garde, for the last of these; this distinctive font could be described as a post-modern interpretation of art deco, and its influence can be seen in logos created in the 1990s and 2000s.

I am completely enamored with this guys work!



These ads were for Ebony magazine.






The Macrophenomenal Pro Basketball Almanac







With a title like, FreeDarko presents The Macrophenomenal Pro Basketball Almanac: Styles, Stats, and Stars in Today's Game... how can you not look twice? And then when you see the incredible illustrations? And that this is described as "The indispensible, amazingly illustrated companion to today's NBA--a roundball Rosetta Stone that hilariously decodes the trends and tendencies of pro basketball." on Amazon... I think we may have just found the perfect gift for both basketball fans and designers without a clue about the current state of the NBA... Who knew it'd be possible? And only at 15$!

The illustrations are drop dead gorgeous, the Style Guides incredible, and FreeDarko even has limited edition prints and shirts! First spotted over at Bobby Sattler's Whole Lot of BS, then i got quickly distracted at the FreeDarko site (so gorgeous, and full of design details and digital goodies)... then got busy making pics for you to see my favorite excerpts from the book on the next page! So, go on, click to the next page and take a peek inside the book!

cred;
http://www.freedarkobook.com

11/2/08

Beanie Man


cred:
sean moshersmiths

11/1/08

Cey Adams Explains The ‘DEFinition’ Of Hip-Hop Art



Cey Adams Explains The ‘DEFinition’ Of Hip-Hop Art
When it comes to the “look” of hip-hop, Cey Adams is definitely a founding father. The Jamaica, Queens native started out bombing trains in graffiti’s heyday, went on to display art alongside Jean-Michel Basquiat and Keith Haring, designed iconic logos for LL Cool J and the Beastie Boys, and co-founded the design firm behind classic rap album covers like Public Enemy’s Fear of a Black Planet and Biggie’s Ready to Die. So when it came time to compile the visual history of the genre in a book, it was only right that Adams take the helm.

DEFinition: The Art and Design of Hip-Hop by Adams (with Bill Adler) looks back at more than 30 years of hip-hop-influenced art. Organized into seven chapters (graffiti, album covers, advertising, film, cars, kicks and fashion), “DEFinition” is the first book to put together all the various media of hip-hop art. Complex recently spoke with Adams and Adler for an exclusive interview, and got them to tell stories behind a few specific images from the book…

Complex: What was the inspiration for the book?

Cey Adams: We kind of watched hip-hop progress over the years, and watched it go from say clothing manufacturers not caring what we thought—or more importantly, dictating what we should be paying attention to and what we should buy—to giving us the opportunity to actually make those decisions for ourselves. And that’s happened over and over and over again in every field.

Bill Adler: As students of hip-hop scholarship, we haven’t done anything quite like this. There are magazines devoted to sneakers, there have been books about graffiti, but nobody before Cey saw all these disparate expressions as expressions of the same so-called hip-hop sensibility.

Complex: What was your definition of hip-hop for the book? What kind of things did you want to include?

Cey Adams: The definition is endless. There are a couple things we could have included that we didn’t, jewelry for example, but first and foremost for me it’s art and design. I wanted to focus on painting and graffiti and things like that, so that was the base, and everything was an offshoot of that. But there could be so many things that we could have tapped into.

Complex: What makes a piece of art or artist “hip-hop”?

Bill Adler: It’s kind of loose. One of the things the book demonstrates over and over again is that there is no stereotypical hip-hop art. The artists in the book don’t fit comfortably into very many categories. It’s the air you breathe, it’s the food you eat, it’s the clothes you wear…

Cey Adams: It’s the company you keep.
__________________________________

CEY ADAMS BREAKS DOWN THE STORIES BEHIND A FEW OF THE BOOK’S DIVERSE IMAGES:


“Ali vs. Confidence” Cey Adams, 2006

“Adidas commissioned seven artists to create a collection of paintings in honor of Muhammad Ali. Ali is one of my lifelong heroes, so this job was definitely a highlight of my career. Leroy Neiman, Shepard Fairey, and Eric Bailey were among the other artists. They assigned each of us one of the seven different “values” that Ali chose to define himself, as well as a photo of Ali. I was assigned Confidence. After we made the paintings, Adidas used each image on limited-edition tracksuits and sneakers.”



“Nemesis” B.E. Johnson, 1990

“In 1990, Public Enemy was recording Fear of a Black Planet when Chuck D came to us with a sketch on a napkin that showed a black planet eclipsing Planet Earth. We took Chuck’s sketch to B.E. Johnson, a famous NASA artist. Although Johnson was sure that Chuck’s vision was astrophysically impossible, he painted it anyway. Not only is it one of the greatest album covers of all time, it turned out to be one of most popular pieces Johnson’s ever done.”



Def Jam comic book by Michael Bair and Buzz Parker, 1997

“This was a promo item for a bunch of our artists who had albums coming out at the same time. All of them seemed larger than life, so it was natural to portray them as superheroes. I think Michael Bair worked for DC Comics at the time.”

cred:
Complex.com
http://www.complex.com/blogs/2008/10/27/cey-adams-explains-the-definition-of-hip-hop-art/