Pages

Inside the Edge - Nigel Sylvester



Nigel Sylvester may very well be the most nimble athlete on two wheels, and he has to be to maneuver the man-made features of his native NYC. A BMX rider's training ground consists of rails, ledges and blacktops, and Nigel moves seamlessly from one New York borough to the next by fueling properly to keep his mind and body sharp.




//
https://sites.google.com/site/mayuradocs/PinIt.png

Reggie Watts funks it up for Nandos



Reggie Watts brings his own brand of music making to this video directed by Lee Ford. Part of a larger online campaign for Nando's were you can add your own unique sounds into the mix. I love it's whimsical nature and well never be able to think about peri peri sauce the same way again.

//
https://sites.google.com/site/mayuradocs/PinIt.png

Is the 'Culture' in Multicultural Still Relevant?

from Ad Age
Are multicultural marketers losing the segmentation wars? That is, are they slowly and inexorably being sucked dry of their distinctness as they become more mainstream? Is cultural differentiation no longer the lever it was always thought to be?

A new AT&T campaign aimed at African Americans triggered these questions for me. A pioneer in multicultural advertising (and a much beloved former client), AT&T rethinks the possibilities of the way four African Americans shaped their lives. The vignettes, and people, are real, the situations authentic, the possibilities inspiring. What especially drew me was the power of cultural relevance.

African Americans have long been part of the multicultural mix. Yet the segment appears to be drawn increasingly into general market budgets. It's the usual argument: They speak English and have been here for hundreds of years, so why bother taking a culturally based approach? Well, if that's the case, why would a savvy multicultural brand like AT&T focus on the cultural narrative of African Americans?

The question is critical, because I'm beginning to think this kind of nuanced cultural sensitivity is getting lost as multicultural goes increasingly mainstream. Market segmentation -- down, almost, to the quantum level -- is commonplace in the general market where nobody debates its relevance. We've just seen, however, a few brands pull back their multicultural advertising into general agencies, including Hispanic and African American, where the cultural component is being "smoothed out" to fit budgets and for greater "efficiency."

If anything stands out in the cultural-relevance debate, it's that the ROI of multicultural marketing can be appreciably higher than that of general advertising. Client, agency and general-market research has proved the point time and again. That's why I'm beating the drum for deep cultural relevance in multicultural marketing, for the same kind of molecular segmentation we take for granted in general advertising.

We really don't need to look far to find the data. Just wander over to media company Audience Science, for example, and you'll see what I mean. It claims to tap into 200 billion (that's not a typo) insights daily into over 386 million people worldwide. Our special interests and passions, across the global cultural horizon, are the focus.

U.S. brands need to demand as much cultural segmentation in their multicultural marketing as in their mainstream efforts. Multicultural advertising may not command the budgets of the general market. Yet given the accelerating growth of multicultural audiences and purchasing power, brands that wear cultural relevance like a second skin are more likely to succeed than brands that generalize their approach to a distinctive marketplace. With $2 trillion in consumption at stake, on whose side would you rather be?




ABOUT THE AUTHOR

Yuri Radzievsky is chairman-CEO of GlobalWorks.
https://sites.google.com/site/mayuradocs/PinIt.png

Allan Gray: Time Flies




cred:
KingJames, Cape Town, South Africa
Executive Creative Director: Alistair King
Creative Director: Alistair King
Art Director: Karin Barry
Copywriter: Paige Nick
Agency Producer: Caz Friedman
Production Company : Velocity Films
Director : Keith Rose
Producer : Grant Davies
DOP: Peter Tischauser
https://sites.google.com/site/mayuradocs/PinIt.png

Old Spice Replies to KMBA's Tweet!



Nice!


//
https://sites.google.com/site/mayuradocs/PinIt.png

Remembering Sylvia Harris

It is with the deepest sadness that I write this post to tell you that Sylvia Harris, dear friend and esteemed member of the design community, passed away peacefully on Sunday, July 24th, 2011. She was surrounded by more than 20 family and friends who flew in from all over the country to be at her side, and is survived by her sister, Juliette Harris, her husband Gary Singer, and their beautiful daughter, Thai.


If you've strolled through the Central Park Zoo in New York, participated in the 2000 U.S. census or selected an iconic stamp at the post office, then you've benefited from the work of design strategist Sylvia Harris. Throughout her vibrant 25-year career she has partnered with high-profile clients—in business, nonprofit and government—to yield rewarding projects and a life's work dedicated to removing barriers by ensuring that public information systems are accessible to everyone.
After graduating with a BFA in communication arts and design from Virginia Commonwealth University, in her hometown of Richmond, Harris set off for Boston. The move was initially motivated by romance, but her experiences there ultimately sparked her passion for design. Despite an undergraduate focus on film and photography, Harris was hired as a designer at WGBH, Boston's public television station. “I learned how to make visual things,” says Harris of parlaying one skill set into another, “and if you know how to make things, you can make one thing or the next thing.” Harris, who has an easy-going, approachable manner, is humble about the considerable talent and drive that enabled her to adapt so readily to her new profession.
On her first big break:
My firm got a series of contracts with Citibank to work on the design of the first ATM. I learned everything I know about user testing, product design and strategic planning from that experience. It was like going to graduate school in usability and I made contacts that have lasted to this day.










She had some basic design skills, but it was her WGBH boss, designer Chris Pullman, whom Harris credits with not only giving her a chance but for also recognizing her potential. “He showed interest in my career, in me, and he gave me advice.” The admiration was mutual, she recalls. “I liked what he was doing… working not for the private sector but in this other whole world of design for the public good. It made a big impression.” Pullman, who was in his early thirties, stood out in a professional landscape populated by older men. Harris notes, “There were few women, no people of color, few people close to me in age—there was not much to choose from for a mentor in the late 1970s.” Pullman's early influence helped inform her career path, and later her choice of graduate school, Yale.


More here.


//
https://sites.google.com/site/mayuradocs/PinIt.png

Ebony/Jet Publisher John H. Johnson Honored with a Stamp

In 2012, the Postal Service is pleased to honor John H. Johnson, the trailblazing publisher ofEbony, Jet, and other magazines. Johnson overcame poverty and racism to build a business empire embracing magazines, radio stations, cosmetics, and more. His magazines portrayed black people positively at a time when such representation was rare, and played an important role in the civil rights movement.

His unwillingness to accept defeat was a key to Johnson’s success. When he was unable to buy a lot in downtown Chicago because of his skin color, he hired a white lawyer who bought the land in trust. Thus, Johnson became the first black person to build a major building in Chicago’s Loop, where Johnson Publishing still has its headquarters.

As Johnson’s influence, accomplishments, and fortune grew, he received many prizes and honors. He joined Vice President Richard Nixon on a goodwill tour of Africa and served as a Special United States Ambassador for Presidents Kennedy and Johnson. The National Association for the Advancement of Colored People (NAACP) awarded him its prestigious Spingarn Medal in 1966. Six years later, in 1972, his industry peers named him publisher of the year — a prize Johnson compared to winning an Oscar. In presenting Johnson with the Presidential Medal of Freedom in 1996, President Bill Clinton lauded him for giving hope to African Americans during difficult times. A panel of experts polled by Baylor University in 2003 named Johnson “the greatest minority entrepreneur in American history.” That same year, Howard University named its journalism school after him.

The stamp, designed by USPS art director Howard Paine, features a color photograph of John H. Johnson taken by Bachrach Studios in Chicago. The photographer was David McCann.

The U.S. Postal Service has recognized the achievements of prominent African Americans through the Black Heritage series since 1978. This stamp honoring Johnson is the 35th stamp in that series, which highlights outstanding individuals who helped shape American culture.

The stamp honoring John H. Johnson is being issued as a Forever® stamp. Forever stamps are always equal in value to the current First-Class Mail one-ounce rate.


//
https://sites.google.com/site/mayuradocs/PinIt.png

Understand that There Are Greater Opportunities Available to You

Dear Graphic and Web Designers, Please Understand that There Are Greater Opportunities Available to You
You have an inherent need to solve problems, visually and conceptually. There is enormous value in this, but you may be misplacing your talents.
The internet, at this time in history, is the greatest client assignment of all time. The Western world is porting itself over to the web in mind and deed and is looking to make itself comfortable and productive. It’s every person in the world, connected to every other person in the world, and no one fully understands how to make best use of this new reality because no one has seen anything like it before. The internet wants to hire you to build stuff for it because its trying to figure out what it can do. It’s offering you a blank check and asking you to come up with something fascinating and useful that it can embrace en masse, to the benefit of everyone.
Your press checks are bullshit
Your personal logo is bullshit
Your employer is bullshit
Your studio is bullshit
The market is handing you steak and you’re choosing the gristle. The market is handing you gold bullion and you’re taking the nickel.
As a designer, you enjoy building things for other people’s use. Your value is determined by the degree to which you can empathize with groups of people around a given topic. Historically, this relationship has required a large(r) company to act as mediator for the emotional mass-transaction. Companies provide you with an audience inasmuch as they have customers, and that’s enough for you because you just want to design stuff that solves stuff.
The internet kills all middlemen.
You now have direct access to the raw vein of popular attention. The pixels you’re pushing have a higher exchange rate than you’re giving yourself credit for*. No hounding client payroll, no selling other people’s stuff, no building other people’s wealth, no nephew’s cousins stepping in with the authority to change everything you’ve been working on.
If You Build It, They Will Come and Try It; and if you are keen enough to identify the opportunities that are being laid out before you by technology, then there is challenge and fulfillment and success to be had.
I run Svpply.com. I am its Designer. I used to design logos and now I design for the internet. Svpply is building a service which will redefine major components of the retail industry. Our team is figuring out how to do this together because no one has ever done anything like it before. No class of people has ever been offered an opportunity like the one you and I are being offered right now.
If this kind of opportunity sounds even slightly interesting to you, then you should join a startup. You don’t have to know more than that. The jobs are all out there waiting for you. They’re secure and fun and they pay competitively. If the thought of building something amazing for lots of people is interesting to you, You Should Join a Startup**.
You can find jobs at startups hereherehere and here. You should also just start sending your work to startups that you like. All of them are hiring or thinking about hiring.
If you have questions about this, feel free to hit me up. Additionally, I know someone specifically looking to fund good designers with good ideas, so let me know if you’d like an introduction.
- - -
*The ability to design effectively for so many people at the stroke of a key is a skill and talent which will have its own title and pay grade. There are only going to be more and more small companies launching for the web. Many of them will need consultation on how to create and communicate with massive audiences and communities. As a designer this is all in your domain.
**I’m not suggesting that you shouldn’t start your own company. I just think that for a lot of designers, from what I’ve seen, this is jumping the gun. Unless you have a friend who is an engineer, it is going to be difficult for you to find someone of quality to build something for you, the professional landscape for those people is just too competitive right now for much of that. But I guarantee you’ll develop relationships with engineers if you go work at a startup, and from working relationships good conversations brew and companies are born.
- - -
This piece is cross-posted from Ben Pieratt's blog.
https://sites.google.com/site/mayuradocs/PinIt.png

Super Bowl Spots and Their Creatives Even Less Diverse Than Ad Industry

But Study Finds a Very Slight Improvement Over Last Year
By: Ken Wheaton
In news that will surprise absolutely no one in the ad industry, a study of the 2011 Super Bowl ads and the creative teams behind them reveals a lack of diversity. Following up a similar study last year, the Institute for Diversity and Ethics in Sport at the University of Central Florida did find some improvement, though.

"The number of advertisements featuring a person of color as creative director went from zero in 2010 to four (representing 7%) in 2011," according to the group. Still, no one is breaking out the Champagne to toast a post-racial America based on numbers that low. And the study found that the "gender breakdown of creative directors remained the same from last year at 94% male, 6% female."The report, compiled at the request of the Madison Avenue Project, goes on to point out that of "the 66 ads, only eight featured a person of color in the lead role."

Oddly, the release attached to the report faults Super Bowl advertisers for a "number of ads portraying men attempting to appease their overbearing girlfriends." It seems weird to mix in "women portrayed as overbearing" with the serious issue of racial and gender diversity -- especially considering the average man (of either race) in many Super Bowl commercials is portrayed as a complete idiot. The group seems flummoxed by the wretched Teleflora commercial, which made men look like dolts and objectified women and was one of the few spots directed by a woman.

The focus on Super Bowl ads isn't only because of how big the game is and how important the ads have become. Choosing the NFL also draws a stark contrast between an ad industry that's been talking about diversity for close to 40 years and making little to no improvement and a league that's made great strides in the last 15 years. As TIDES points out, "seven of the past 10 Super Bowl teams have employed people of color as head coaches or general managers. Positional segregation, particularly in relation to the quarterback position, appears to have ended as numerous quarterbacks who are people of color have started in the NFL over the past decade."

And one final note. Of the two spots directed by African-Americans, one was for the movie "Fast Five." The other was a consumer-generated spot for Doritos.


//
https://sites.google.com/site/mayuradocs/PinIt.png

Behind the Eli Porter Rap Battle: Is This the First Meme Documentary?



In 2003, at Chamblee Charter High School in Chamblee, Georgia, a rap battle went down between students Eli Porter and "Envy." By all accounts it was very bad, from the rapping to the lighting to the unenthusiastic host. But the star of the mess was Eli Porter, whose weak stop-and-start rhyming efforts quickly became meme legend: the William Hung of hip hop.

At first unaltered video of Chamblee showdown made the internet rounds. Then there were remixes featuring Porter rapping with the likes of Nas and Drake. One mashup completely removed Envy from the picture and found Porter battling Lil' Wayne instead. In short, Porter became an overnight web celebrity. But like so many memes before him and since, he was quickly forgotten about in favor of the next guy embarrassed on camera.

Today, eight years after trying his hand at hip hop, Porter is the subject of a new documentary that highlights that fateful day in Chamblee all over again.

Titled People's Champion, the half-hour film, part one in a two-part series, explores the origins of the now infamous Porter-Envy battle, capturing interviews with Chamblee staffers, former Chamblee students, and hip hop experts like Jay Smooth. The short also digs deeper into Porter's personal story. Far from making him a laughingstock, the movie humanizes him in a deep way, making you not only question why you laugh at him, but why you laugh at every other "silly" video. It's easy to forget that our memes are often real people's lives.

If you like this installment of the movie enough, the filmmakers, Trent Boddington and Walker Warren, have opened a Kickstarter page to help fund part two. If you don't donate for them, donate for everyone who's ever been laughed at on YouTube.


Good Magazine


//

https://sites.google.com/site/mayuradocs/PinIt.png

Summer's Eve: Hail to the Vagina





cred:
The Richards Group




// https://sites.google.com/site/mayuradocs/PinIt.png

Mosaic Marketing Takes a Fresh Look at Changing Society

By 
YOU may not need a weatherman to know which way the wind blows, as Bob Dylan put it, but it seems that Madison Avenue needed a census taker.

As results from the 2010 census continue to be released, the changing demographic makeup of the American consumer market is increasingly a topic for discussion — and action — among advertisers and agencies. One trend to emerge is known as cross-cultural marketing, aimed at a general market that may be more of a mosaic than a melting pot.

Cross-cultural marketing is, as the term suggests, aimed across demographic groups to appeal to consumer similarities rather than differences. By contrast, traditional multicultural marketing is directed at specific demographic groups like Hispanics, African-Americans, Asian-Americans, women or gay and lesbian consumers.

One of the largest global agencies, Ogilvy & Mather Worldwide, has formed a unit, OgilvyCulture, that specializes in cross-cultural marketing. British Airways and Ikea are among the initial clients of the unit, which has also provided consulting services to advertisers like Eastman Kodak, Kimberly-Clark and Unilever.

OgilvyCulture, which had a “soft launch” in November, is to get an official send-off on Monday with a daylong conference, titled “Preparing for the New General Market,” at the Ogilvy & Mather world headquarters on the West Side of Manhattan.

“This starts from the kind of firm we want to be in the future,” said John Seifert, chairman and chief executive of Ogilvy & Mather North America, and is meant to respond to “extraordinary changes.”

“Instead of thinking of discrete segments in a multicultural world,” he said, “we’re saying the new reality is that it’s more of a cross-cultural world, a mash-up of cultures.”

In seeking “deeper understanding of new cross-cultural realities,” Mr. Seifert said, OgilvyCulture is looking to the “diversity and inclusion” employee networks at Ogilvy & Mather, which include Black Diaspora, LatinRed, OgilvyPride, RedLotus and Women’s Leadership.

That is important, Mr. Seifert said, because “if there has been a weakness in the marketing communications industry generally, it’s that the makeup of agencies is not reflective” of the consumers to whom they advertise. (“Red” appears in the names of some employee groups because it is the agency color, and the favorite color of the founder, David Ogilvy.)

OgilvyCulture “represents an effort to build on” the work of those internal organizations “and take it out of the agency as an external-facing agenda,” said Jeffrey Bowman, who heads OgilvyCulture as its practice lead while also serving as director for marketing strategy at Ogilvy & Mather.

“As a practice, its success is dependent on a core group of people making connections internally and externally,” he said. “We’re feeling our way; I’ve said to everyone this is going to be messy for a while.”

Asked about the multicultural approach, as offered by scores of agencies that create campaigns aimed at ethnic and demographic groups, Mr. Bowman said: “I do not intend to market this as an alternative to the specialty agencies. We accept the reality there are some clients who will say, ‘We have a general-market agency and a Hispanic agency.’ ”

Ogilvy & Mather will still operate multicultural units like OgilvyRojo, which creates ads aimed at Spanish-speaking consumers, and OgilvyNoor, which specializes in building brands that appeal to Muslim consumers.

“We’ve been saying for years there’s a new America,” said Howard Buford, president and chief executive at Prime Access in New York, an agency devoted to marketing to three demographic groups: Hispanic, African-American and lesbian, gay, bisexual and transgender (L.G.B.T.) consumers.


“It’s multicultural consumers who are making ‘the new general market,’ why not go to an agency with a long track record of multicultural advertising to do general campaigns?” asked Mr. Buford, who said that Prime Access has produced general-market advertising for Merck and the Time Inc. division of Time Warner.

Donna Morton, director for marketing planning for North America at the British Airways office in New York, said she had hired OgilvyCulture to find innovative ways to promote the airline’s Executive Club loyalty program to the diverse fliers of the United States and Canada.

“Several years ago, we were doing that kind of traditional multicultural marketing, grouping people into segments like seniors and L.G.B.T.,” Ms. Morton said. “The world now is so different; now it’s about becoming part of the culture, building relationships.”

Likewise, Christine Whitehawk, communication manager for the Ikea North America unit of Ikea in Conshohocken, Pa., said, “This to us is the beauty of OgilvyCulture. Although we want to ensure that different audiences are engaging with the brand, we don’t want a bunch of different messages.”

“This is not saying, you need 10 communication platforms,” she said. “It’s saying, let’s look at cross-cultural nuances that could work cross-culturally.”

Among those scheduled to speak at the conference, in addition to Mr. Bowman and Mr. Seifert, are David Burgos, vice president at the Millward Brown unit of WPP and the author of a coming book, “Marketing to the New Majority”; Peter Francese, the founder of American Demographics magazine who is now worldwide demographer and trends analyst at Ogilvy & Mather; Mark López, head of United States Hispanic audience and pan-regional United States sales at Google; Michele Thornton, senior director for multicultural advertising sales at the CNN unit of Time Warner; and Miles Young, worldwide chief executive of Ogilvy & Mather.

from NYT


//
https://sites.google.com/site/mayuradocs/PinIt.png

THE BATMAN OF AFRICA DEALS JUSTICE IN HIS OWN SERIES


This September, join with us in this historic moment when the first black character to wear the Batman mantle will be the first to star in his own ongoing series. BATWING will be written by Judd Winick and illustrated by Ben Oliver.




The Source


// https://sites.google.com/site/mayuradocs/PinIt.png

The SHAOLIN JAZZ - Album Cover Design Contest


The SHAOLIN JAZZ - Album Cover Design Contest is a month long competition (Wednesday July 6th - Monday August July 8th), whereby participants can submit designs or "graphic remixes" of the album cover with the winner receiving footwear courtesy of VANS OTW and apparel courtesy of Staple Design.  The winner will be announced Wednesday August 10th.

Rules/Guidelines:
  1. Designers can submit up to two (2) album cover designs only
  2. A design collective can only participate as one (1) designer - submitting only two (2) designs
  3. Size specs: 8.3 x 8.3, 72dpi
  4. Acceptable file formats: jpg, png, pdf not to exceed 2mb
  5. Deadline for submitting work - Monday August 8th
  6. Submit work to art_vs_commerce@yahoo.com
  7. To see the album cover click here
  8. Watch background video about SHAOLIN JAZZ here
Entries will be judged on the following criteria: originality and creativity, usage of typography, and connectivity to the theme of SHAOLIN JAZZ.


Eligibility: the competition is open to everyone worldwide


Prize: the winner will receive footwear courtesy of VANS OTW and apparel courtesy of Staple Design


Questions: art_vs_commerce@yahoo.com


// https://sites.google.com/site/mayuradocs/PinIt.png

Everything is a remix



Remixing was once considered an artistic crime, now it's lauded as a means to a nearly original end. DJ's in America took it to an apex in the early 80's. But were they really the first? Remixing is a folk art but the techniques are the same ones used at any level of creation: copy, transform, and combine. You could even say that everything is a remix. 


See more of this remarkable series after the break

https://sites.google.com/site/mayuradocs/PinIt.png


That's Rocawear viral videos celebrate the evolution of hip hop culture. Rocawear was established in 1999 off the excitement around Jay-Z and Rocafella Records and remains today as the number one urban lifestyle brand in the world. We celebrate how the culture has evolved and how Rocawear has not only evolved with the culture but has been a major force in communicating that evolution around the world.

Twin brothers Larry and Laurent Bourgeois (collectively known as LES TWINS) are internationally known New Style Hip-Hop dancers, originally from Sarcelles, France. They are members of a larger crew of dancers known as the Criminalz Crew, now That's Rocawear!

“We are a great American brand. We don’t envision ourselves as an urban brand or streetwear brand,” explained Jay-Z. “We wanted to show people how we’ve evolved and repositioned ourselves, without abandoning our original DNA. 
~ Jay Z

For more information visit http://www.ThatsRocawear.com




//
https://sites.google.com/site/mayuradocs/PinIt.png

Table of Brotherhood | Chevrolet Honors MLK | Spike DDB



Chevrolet is sponsoring a four-city tour honoring the legacy of Martin Luther King, Jr. that culminates with the Aug. 28 dedication of the Martin Luther King, Jr. National Memorial in Washington, D.C.

"We admire and respect Dr. King's eternal legacy and all that he represents," said GM Chairman and Chief Executive Officer Dan Akerson. "This is an important moment in our nation's history and we hope this memorial will inspire others to turn their own dreams into action".

The dedication will mark the 48th anniversary of King's "I Have a Dream" speech following tour stops in Atlanta, Memphis, Chicago, and Washington, where diverse community leaders will evoke King's spirit though dialogue on topical social issues.

Tour stops will feature a table designed by Scott Tucker of Raunjiba furniture, where people of all backgrounds and opinions are invited to participate in culturally and socially relevant conversations around King's vision. The discussions will be moderated by Roland Martin, a CNN News contributor and commentator for TV One Cable Network.
https://sites.google.com/site/mayuradocs/PinIt.png

New Thriller Peers Behind Madison Avenue Color Barrier


Mad Man

CHICAGO – The world of advertising is cutthroat, fast paced, high pressure and unbeknownst to most of the rest of the United States, virtually monochromatic. The new thriller Mad Man (published by AuthorHouse) by award winning ad writer James Glover tackles the little known racial barriers that still exist in the advertising world today. To the back drop of a griping thriller, Mad Man explores what affects the race barrier has on the people who have to live with it and under it. Moreover, Mad Man peers into the extremes that some men are driven to by it.

As Mad Man opens, readers witness a suicide committed by a black advertising executive who could not find a job in the ad business. After being rejected by Madison Ave and being told he was too ‘white’ to work for a black ad agency, Kevin Townsend decided his only recourse was to end his own life. It is on this note of desperation Mad Man takes readers inside the high voltage world of Madison Ave advertising.

After the tragic death of Townsend, Mad Man shifts its focus to the story’s up and coming protagonist, Randall Joseph, an African American ad exec. Joseph is an educated man of talent and vision who is becoming more and more frustrated with what he perceives as his bosses, white men all, getting ahead on the sweat of his brow. Not one to suffer fools lightly, Joseph devises a plan to regain his honor, gain some compensation and correct the many slights that the white advertising establishment has heaped upon him during his career. Mad Man takes readers on a journey that begins with gaining insight into the multifaceted ad world and ends with a vendetta that will change Randall Joseph forever.

“See once again, Ron, the burden is on us. We’ve got to grin and bear it, just like our ancestors did. We’re the ones who have to keep quiet or else we’re going to be looked at like a troublemaker and lose our jobs. And again, you white folks walk around like we’re the problem. Instead of you guys saying, let us be a little more tolerant, let us listen and see if we can make it better for all people in our companies, you say, that guy is trouble, ostracize him.
Ron what makes you guys think that you got it all perfect just because you hired one or two black people in your company? What made you think that there was nothing else for you to do? What? How did the burden shift from you to us?” He looked over the railing then back to Ron.


James Glover was born and raised in Harlem, New York City. After studying advertising and marketing at Visual Arts in New York, Glover worked his way up the food chain in the world of Chicago ad agencies. Glover has won writing awards from Cannes, One Show and Clios, among many others. He even has an ad for United Airlines entitled “Her Day” that has been achieved by the Smithsonian.

https://sites.google.com/site/mayuradocs/PinIt.png

THE PURSUIT OF (COOL) - TEASER



From the schoolyard kids to the marketers everybody wants to get close to the cool guy…so what defines cool?
R+I Creative presents "The Pursuit Of Cool", a short series about hedonism, sharing and meeting cool people with stories.

It all started with one quote...
"There is no algorithm to define cool, you just know it when you see it".
ricreative.com/​The_Pursuit_Of_Cool/​TPOC.pdf

Featuring: Coltrane Curtis, Michele Savoia "The Tailor", Ron Grant from "Ron grant & Friends" at The Village Underground...




// https://sites.google.com/site/mayuradocs/PinIt.png

Official Gmail Blog: A preview of Gmail’s new look






Official Gmail Blog: A preview of Gmail’s new look: "Posted by Jason Cornwell, User Experience Designer We get a lot of great feedback about how Gmail helps you be more efficient, keep in to..." https://sites.google.com/site/mayuradocs/PinIt.png

Barack Obama Narrates Avant-Garde Prose Poem



I like it. I still dig this President. He's like a political improve, what will he do next?


// https://sites.google.com/site/mayuradocs/PinIt.png

CEE LO DISTILLED: PART 2





ABSOLUT VODKA presents CEE LO DISTILLED -- a peek into the exceptionally creative world of Cee Lo Green.


//

https://sites.google.com/site/mayuradocs/PinIt.png

JP Morgan Unit Buys Stake in Ebony Owner Johnson Publishing

Chief Marketing Officer Rod Sierra Has Left to Pursue Own Business
By: Lynne Marek, Todd J. Behme

Johnson Publishing Co., the Chicago publisher of Ebony and Jet magazines, has sold a minority stake to JP Morgan Chase & Co. and will use funds raised through the investment to accelerate its growth plan.

CEO Desiree Rogers declined to say how much the private-equity arm of JP Morgan invested, but she told Crain's Chicago Business that the stake is "substantial."

The funds will be used to expand the brand's digital presence, and increase marketing for Johnson's magazines and its Fashion Fair cosmetics line.

The company also plans to bring some functions in-house, hiring a general counsel, head of human relations and vice president of digital, Ms. Rogers said. She also said Chief Marketing Officer Rod Sierra has left to pursue his own business.

Chase is "supportive of the strategic direction" the company has taken over the past year, Ms. Rogers said.

"We are delighted to partner with our client Johnson Publishing Co., with which we have worked for more than 40 years," Greg O'Hara, leader of JP Morgan's Special Investments Group, said in a statement.

Johnson Publishing Chairman Linda Johnson Rice, whose parents John and Eunice Johnson started the company in 1942, has been seeking to revive declining circulation and ad sales for the magazines in a publishing industry that has seen an exodus of both readers and advertisers to online alternatives.

Ms. Johnson Rice said her father's first major checking account was with Chase. The bank has also advertised through the company.

Ms. Rice last year hired her longtime friend Ms. Rogers, formerly the social secretary in the Obama White House, to revamp the company and restyle the magazines.

Part of Ms. Rogers's digital plan is to strike partnerships with more vendors online to sell services and products to readers, she said. "Mainly now what we're doing is refining our strategy," she said.

The monthly Ebony has used direct-mail marketing and discounted subscriptions to help return its circulation to 1.25 million, Ms. Rogers said. That's the base rate that is touted with advertisers. Ebony's total paid and verified circulation was 997,173 as of the end of last year, according to the Audit Bureau of Circulations.

Jet's circulation has jumped to 800,000 weekly, the company said. That's up from 703,944 as of the end of last year, according to ABC.

Ms. Rogers is also considering cutting costs by teaming up with other publications to buy materials, such as paper, at bulk prices. The company also previously announced it's selling its current Michigan Avenue office building and moving to a new headquarters in the city.

Johnson Publishing is one of the biggest minority-owned firms in the Chicago area, with revenue of $200 million in 2009, according to a Crain's list published in November. The company has about 125 employees, down from 250 at the end of 2009.

"JP Morgan Chase's investment in our firm is a logical outgrowth of our longstanding relationship," Ms. Johnson Rice said in a statement. "It positions Johnson Publishing for continued growth as a family-owned publisher of the black community's most-trusted media brands by providing financial resources to take our iconic Ebony and Jet magazines to the next level and accelerate our growth strategy for Fashion Fair Cosmetics."

The Chicago Tribune first reported the deal today.
https://sites.google.com/site/mayuradocs/PinIt.png

Translation Planning to Split From Parent Interpublic


Growing Multicultural Firm, Which Counts Jay-Z as a Partner, Wants to Take on General-Market Agencies


from AdAge
Translation, the agency launched by marketing mogul Steve Stoute, is negotiating a buyback from parent Interpublic Group of Cos., Mr. Stoute told Advertising Age, as the shop moves away from its identity as a multicultural agency and seeks to rival bigger, general market firms.
The desire to recapture its independence comes as Translation is increasingly being tapped by blue-chip marketers for work outside of solely African-American marketing duties. Mr. Stoute said Translation is McDonald's agency of record for sports and entertainment marketing; is engaged on product development and packaging for Wrigley; and handles national advertising campaigns for State Farm, Estee Lauder, DSW and Target. It's also recently won assignments from Coca-Cola and Nokia as well, he said, though he declined to elaborate.
Still, Translation is currently is one of the smallest firms under Interpublic's umbrella of agencies. It had 26 employees before being acquired almost four years ago and has 65 employees today; in 2010, it posted $9 million in revenue, up from $6 million in revenue in 2009, according to Ad Age's DataCenter. Mr. Stoute partnered with rap mogul Jay-Z in 2008.
Interpublic, the fourth-largest advertising holding company, in October 2007 bought a majority stake in Translation for an estimated less than $15 million. As of April 2011, Interpublic owned 60% of the firm, an increased ownership stake compared to two years prior when it owned 44% of Translation.
Mr. Stoute says the deal hasn't gone as he had initially hoped, largely because Interpublic agencies haven't been willing to collaborate on campaigns.
"The experience, like any other relationship, has had its growing pains," he said. "I'd say that my desire to work with their clients, and my initial thinking didn't come to fruition. The agencies are clinging onto their relationships and don't want to open up." He added: "A lot of great talent is wary of holding companies and you don't have to worry about conflicts, which becomes important when you begin getting AOR relationships."
Interpublic, in contrast, was complimentary. "We continue to be supportive of and invest behind Translation," the holding company said in a statement. "We understand Steve's ambition to move in a new direction and look forward to continuing to work with him when possible, no matter what form an ownership structure may ultimately take."
One person close to the discussions noted that negotiations are ongoing but no transaction has been agreed to yet.
For Interpublic, this won't be the first time this year one of its shops will go down the buyback road. In January, PR agency MWW Group bought back its independence, saying it was driven by both emotional and business factors post-recession.
In Mr. Stoute's case, the decision seems to be driven by those factors, as well as not wanting to be pigeonholed as a specialty firm. "I don't believe in African-American shops anymore," he said. "African Americans are Americans and drive popular culture. But I do believe that work should have the opportunity to cater to specific groups through nuance that appeals to that particular group."
Tim Van Hoof, advertising director at State Farm, said Translation "seems to understand cross-culturalism as well as any group I've dealt with, and what I mean by that is how can culture bring audiences together rather than speaking with them separately."
Asked whether it matters to him if Translation is independent or owned by a holding company, Mr. Van Hoof had this to say: "It only makes a difference to me if it impacts their ability to develop amazing creative. At the end of the day no, but if it impacts either positively or negatively, one way or the other, then the answer I want the best from the agency. If it helps from a financial or talent standpoint, great, but if it hinders, as it sometimes does, well ... I just want the best work."
~ ~ ~ 
Contributing: Brad Johnson
https://sites.google.com/site/mayuradocs/PinIt.png

Sasko Flour: Goodness Campaign






cred:
Saatchi & Saatchi, Cape Town, South Africa
Creative Director: Sammy-Jane Thom
Art Directors: Natalie Vella, Larissa Elliot, Jenna Barbe
Copywriters: Melanie Horenz, Mimi Cooper, Dana Aires
Illustrators: Heidi Chisholm, Hey CJ Parker
Photographer: Matthys de Lill


//
https://sites.google.com/site/mayuradocs/PinIt.png

LRG 2011 Fall Lookbook



San Francisco is a favorite destination of LRG for creative inspiration and serves as the backdrop for the brand’s Fall 2011 season photoshoot. This year LRG featured music artists Mayer Hawthorne and Bilal. Also making appearances are LRG snow team rider Chris Grenier and skate team riders Tom Asta, Felipe Gustavo, Karl Watson and Jackson Curtin. Look for Fall 2011 in stores soon.


hypebeast


//
https://sites.google.com/site/mayuradocs/PinIt.png