Big agencies woo business from multicultural firms




Someone's about to get pummeled and it won't be the general market shops. So line up the usual suspects; black, hispanic, asians, it's ass-whooping time. 

By SUZANNE VRANICA

As they seek new revenue sources, Madison Avenue firms are beefing up their multicultural offerings, posing a challenge to specialist Hispanic and African-American agencies.

Kirshenbaum Bond Senecal + Partners has hired Sandra Alfaro to lead its newly created multicultural division, dubbed Ramona, which was formed several months ago after its parent company, MDC Partners, folded a multicultural agency into Kirshenbaum.


Over the past few months, Interpublic Group's DraftFCB and MDC's Crispin Porter + Bogusky have both hired several high-ranking executives from multicultural firms.Ms. Alfaro, a former managing partner at the independent Hispanic agency Vidal Partnership, is one of the rash of high-profile multicultural ad experts who have been wooed into joining generalist ad agencies over the past year as those firms look to take advantage of the dollars flowing to multicultural advertising.

Multicultural marketing is one of the "fastest growing parts" of DraftFCB's business, says Laurence Boschetto, Draft's chief executive. Its business in the space has "doubled in the past two years," the agency says. Draft declined to reveal its revenue.

Mainstream ad agencies have dabbled in multicultural ads for years, but many are becoming more aggressive because, they say, some marketers are now more open to working with general ad firms for this part of their business.


Earlier this year, for example, Burger King shifted its Hispanic and African-American ad work to Crispin. The burger baron says it wanted "to create advertising that speaks with a consistent brand voice while continuing to respect and embrace the ethnically diverse population."

Church's Chicken, which works with Kirshenbaum, says that pooling everything at a generalist agency helps the multicultural component of the marketing campaign be part of the initial ad strategy, not just an "afterthought."

But Andy Bonaparte, Church's Chicken's vice president of advertising, says the approach works only if the general agency has invested in hiring the right multicultural talent. (The fast-food chain is owned by private- equity firm Friedman, Fleischer & Lowe LLC.)

Meanwhile, having generalist firms bulk up on minority ad talent is a worrisome trend for multicultural agencies. It "might lead to the demise of this segment," says Byron Lewis, chief executive of UniWorld Group, a multicultural ad firm. "There are so few [minorities] in the [ad] industry, so to deplete the staffing would be a major problem," he adds.

Ad executives say they expect ad spending directed at minority audiences to jump significantly when new data emerge from the 2010 Census. Some noticed an uptick earlier this year when the Census released data suggesting that whites are on the verge of becoming a minority among newborn children in the U.S.

Mr. Lewis says it took the 2000 Census results to wake up many marketers to this segment initially.

Last year, ad spending on Spanish-language media in the U.S. fared better than the overall ad market, falling 9.3% to $5.3 billion, while ad outlays on all other media slid 13% to $121.3 billion, says Kantar Media, an ad-tracking unit of WPP PLC.

Still, marketers have a long way to go to make their advertising proportionate. Advertisers spent an average of 7.8% of their total television spending on Hispanic TV in 2009, according to Kantar. There has been a lot of "lip service," adds Jon Swallen, senior vice president of research at Kantar.

The industries that have been creating ads for minority audiences most aggressively include fast-food companies, department stores, telecommunication companies and TV-service providers, says Kantar. Sectors that still lag include pharmaceutical companies.

Marketers such as the Subway sandwich chain and Coca-Cola say they are spending more of their ad dollars to woo minority consumers. Coke has recently made a multicultural approach part of every major ad push it launches.

"Multicultural consumers currently consume nearly three out of every 10 Coca-Cola products sold in the U.S. And in 10 years, all indications are that percentage will be closer to four out of 10," says Bea Perez, chief marketing officer for Coca-Cola North America. Still, Coke continues to work with several agencies that specialize in the space. Ms. Perez says Coke's general market agencies "need to partner with the agencies that have the core insights."

Ms. Perez says Coke's general market agencies are expected to come up with ads for multicultural audiences. For example, Wieden + Kennedy recently did an outdoor ad for the holidays that showed a young African- American boy sharing a gift-wrapped six-pack of Coke.

Write to Suzanne Vranica at suzanne.vranica@wsj.com



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Future growth in the digital population expected to come from minority audiences



From eMarketer.com
The overall growth of the online population in the US is stagnating, and most future growth will come from increases in minority audiences including Hispanics, blacks, seniors and children.

eMarketer expects the Hispanic online population to grow by nearly 10 million people between 2010 and 2014. Next year, eMarketer forecasts 32.2 million Hispanics, or 62.9% of the US Hispanic population, will be online. The results of the 2010 census could push those estimates up even further.

While the bureau has consistently projected strong growth within minority populations through 2050, the new figures for all races may change more than the bureau projected. The census open-ended questions on racial and ethnic background -- including a write-in answer for filers who did not feel their background could be explained by a single check-box answer -- caused much confusion and comment. It is still unclear how respondents identified themselves and their families.

The black internet user population is somewhat smaller but also on the rise. eMarketer forecasts nearly 26 million blacks will go online at least monthly in 2011, for a penetration rate of 66.9%. By 2014, 72.3% of blacks will be online.

Marketers who are beginning to up their budgets as they put the recession behind them will do well to remember that minority groups are only increasing in importance online. Advertisers must remember they make up an ever-greater portion of the audience of all media, but spending on Spanish-language and African-American media is also a must. According to research from the Association of National Advertisers, more than half of US marketers would be increasing multicultural spending on both traditional and newer media.

"These audiences appreciate genuine efforts by marketers to understand them and communicate messages that resonate, which means more than including a demographically diverse cast in a mainstream television commercial or high-gloss magazine ad," said Lisa E. Phillips, senior analyst at eMarketer. "Brands that ignore the multicultural audience will find themselves ignored by a powerful segment of the population."

Hermes Fingerskate




Ollie flip on mini selle Steinkraus // Flip back lip on Etrivière belt // Pop shove it 360 over Funk hat // Ollie flip front switch manual on Plume mini bag // Nollie late double flip on Constance micro bag....







Rider & Director: Alexis Milant









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Gender Disparities in the Design Field

Walk into any design classroom, at any college in America, and you’ll see a comfortable mix of male and female students. Turn your attention to the front of the classroom, or down the hall to the faculty and staff offices, and that wonderful gender balance starts to skew. Travel outside the campus, and there’s really no balance at all.

But why? If there are design classrooms across the country with a 50/50 blend of men and women — and in many classrooms, there are more females than males — then why doesn’t the design field represent the same ratio? Why does creative employment still showcase a male-dominated presence? What happens to these passionate and educated females? Certainly, there must be more to it than child-bearing — or is there? Is a more gender-balanced field really all that important? Why, or why not?


Gender disparities in the design field is a controversial as well as a complex topic. Image credit: Choichun Leung

These questions and many others accompanied me to a design and technology conference this past fall. Minnebar, an annual Twin Cities conference that celebrates vision, niche technology and collective wisdom, provided the perfect platform for such inquiries. I hosted a session aptly named “The Equal Sign” to pitch the dilemma of the field not representing the classroom. I played the role of discussion facilitator, and was eager to see where the conversation would go. What I hadn’t realized, was that I wasn’t the only one perplexed by this phenomenon.
First, the Stats

According to Findings From A List Apart Survey 2009, a poll created by and for Web designers, 82.6% of Web designers are male. Ironically, 66.5% of the same respondents stated there is “definitely not” a gender bias in the design field. Web design is just one segment of the design world, but the statistic is nonetheless chilling.

My audience for the session? Predominantly female. It seems the topic itself is more intriguing for women than men. What these women had to say was sobering. One mentioned that it’s foolish to expect a male-dominated field to be able to design interfaces that appeal to how women want to interact with technology. In other words, young girls put off as consumers of technology aren’t likely to desire to create in that arena.

Another common theme during the discussion was that of heroes. So few female designers exist, and of them, few are known superstars in the industry. Of these, even less are known by individuals outside of the industry. Lack of visible female heroes results in lack of female interest. But there are countless male role models in the field; why can’t they be heroes for young girls with computers? The same reason why I’d rather aspire to be Run DMC, than Mariah Carey.
Second, the Perceptions

In the book Unlocking the Clubhouse: Women in Computing, two researchers at Carnegie Mellon University found that “research shows that both males and females believe that males are better than females at computing” (Clarke, 1992; Spertus, 1991). This finding is nearly 20 years old, but this mindset could easily have been held by the parents of today’s college students. Going to college can be hard, but pursuing a degree with little support from mom and dad makes it even harder.

There is also an unspoken expectation that women are very creative and make great print designers, but aren’t wired to splice the intricacies of new and constantly changing software and platforms — as noted in aFadtastic.net article written by designer Matt Davies. The field generally represents the occurrence of women holding positions in print, illustration and photography, with noticeable scarcity in more technology-dependent roles such as Web design, animation, game design and programming.

read more here.


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Tribal Chic photographed by Frederico Martins







more of Fredirico's work here.



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Original Juice creates future wall hangings



Honestly I'd hang these today.





cred:
DDB, Melbourne, Australia
Executive Creative Director: Grant Rutherford
Creative Director: Brendon Guthrie
Head of Art: Tim Holmes
Art Director: Ian Bear
Copywriter: Michael Mulcahy
Illustrator: Stuart McLachlan



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Footlocker gets on the good foot with Sneakerpedia


This is one of the smartest marketing coups of all time. If this works and I believe it will Footlocker is poised to run things in the minds of sneaker-heads throughout the known universe and beyond. In a mixture of social networking like Facebook and a collaborative encyclopedia project like Wikipedia, the network Foot Locker presents to the world Sneakerpedia .
We're talking about a mega project that will gather and archive all shoes sold in the world with their respective histories, variations and various information, which can be organized by categories, tastes and interests. Site users can, as Wikipedia, insert and modify the contents, leaving the project richer and richer, and also share experiences with each other sneaker-freakers.
The site is not yet live (for now only for guests), but promises to be a great reference for those who enjoy this world of sneakers. For now you can check out a trailer for the project. 


Brilliant!!!


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The Fly Folks of Sicily




This comes from Marco in Italy. He wanted to share it with the more fashion conscious in other parts of the world. Did you know that in the heart of Sicily is hidden the most fashionable town in the world? The ancient Town of Agira is populated by the coolest people ever seen.




But, why is it here? Marco, you see is among the set we call the "Black Italians" Enjoy.




Thanks Marco.




www.mosaicoon.com






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BO KNOWS NEGROS!


And what Bojangles knows is that black people can't make it through anything without a chicken break... hold on. Let me just finish off this two-piece combo I was downing when I saw this. *smack-umm-yum* OK, that's better, my keyboard is a lil greasy but none worse for the ware. One of the most heralded agencies around Boone-Oakley dropped this ad into the chicken grease and serves it up as a hot-crispy-mess! I can't say I don't understand the back slide from greatness, have you seen the floor in a chicken shack lately? But this same some does brilliant work that usually involves more mental elbow grease and less... well I won't go there again, I think you get the point. But what the hell? After a mad chicken dash the team dumps iced-tea on the coach? Or was that oil, someone said it was gravy? At any rate, it was a big bucket of wrong! Deep fried BS, I know I said no more chicken grease jokes, but I slipped.

This industry says it's moving to an all inclusive multi-cultural model, but we are far from there. Diversity Now Dammit!




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Thanks PF for hipping my to the hypocrisy

Absolut Vodka prettys up your bus ride

Every time I ride the bus I consider a life of drinking, so this campaign works for me on lots of personal levels. As an evolution of its ongoing “DRINKS” campaign, ABSOLUT VODKA has used the bustling streets of Chicago to bring to life the unique universes created by visionary photographers, Ellen Von Unwerth and Amanda De Cadenet. With a series of bus shelter installations, ABSOLUT has leveraged the imagery of talent such as Kate Beckinsale, Zooey Deschanel & Ali Larter to transform these shelters into tactile installations for people to enjoy. Bringing to life the worlds that embody ABSOLUT “Lemon Drop,” Twist” and “Bloody,” the shelters (which will run until late December) use original seating, stunning colors and even tropical plant-life.





cred:
TBWA\Chiat\Day, New York, USA
Creative Director: Mark Figliulo
Art Director: Jin Park
Associate Art Director: Nicolas Troop
Photographers: Ellen Von Unwerth & Amanda De Cadenet






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Interview w/ DEMOND MEEK - PHOTOGRAPHER (musclebound)


I've been racking my brain about what to say about Demond's photography. It's rare you get to see such high level work with such creative control by the artist. I guess that's what happens when you have let your art take control of you. The man is a perfectionist at creating a moment. Then he freezes select pieces of time to share with the world. If I had to use a word to describe his work it would be musclebound. These images rip off the page and the detail bristles and rustles to life.

click to enlarge


Demond took some time out to share with us a little bit about his process and 'who' his work is. The work really speaks quite elegantly for itself. You can click the images to make them larger -- but they could be more grand.


How did you discover photography? I've always been a lover of photography. I first discovered photography as a child when I would flip through my Mother's magazines she had around the house. The first time I actually got my hands on a camera was while I was in college studying architecture. The school purchased a digital camera and I used it as much as possible. I would use the camera to take images of a site and digitally prepose my sketches or CAD renderings over the picture I took. The process of creating an image by combining different elements fascinated me. Architecture is a very slow process, and I fell in love with the instant results that digital photography provided. As a result, I soon found myself concentrating more on photography than design. I have to admit, it was a difficult time, I knew in my heart that my life-long dream of becoming an Architect was beginning to fade. I've been happily taking photos ever since. HA!


How is your ethnicity a source of inspiration or strength in your work?
Or is it just sort of a default setting that has little or no bearing.

My personal experiences, goals, and aspirations serve as a huge influence in my work. As a Black American, whether it's conscious or subconscious, I feel like my ethnicity drives me from both a visual and social standpoint. I (we all) have a story to tell; stories of struggles, resilience, and triumphs. However, at the end of the day, I simply enjoy making people of all backgrounds look as good, and as strong as possible.

I do feel a certain level of responsibility to photograph minorities in a good light or in nontraditional ways. In the past minorities in America weren't always portrayed or represented in the best light - or represented at all for that matter. There have been tremendous steps forward over the past 2 - 3 decades. I'm optimistic about the future. I think the world is on the cusp of a visual and social renaissance. I really want to be a contributor to that movement.


Tell us about the challenges of being a photographer. I am my biggest challenge.
Aside from that, the most challenging aspect of photography for me is marketing, marketing, and marketing. Getting my work noticed at agencies is a huge challenge personally at the moment. I have a distinct style of photography that caters to certain markets and certain brands. Without representation, figuring out the most effective way to get my work in front of art buyers and creatives that may dig my work is challenging.

H&M shows the colors of holidays.



The Holiday campaign is in collaboration with UNICEF, who is aiming provide children clean water and basic sanitation to underprivileged children around the world. H&M has already made donation/s to UNICEF. However,H&M are encouraging their customers to get involved making a donation or purchasing H&M/UNICEF holiday stickers at any H&M store.


Besides the goodwill initiative, H&M is also promoting their holiday winter collection of luscious reds, blacks and whites with the theme 'the spirit of togetherness'. The campaign images feature an array of personalities visualising the spirit of togetherness, love, comfort and joy during the holiday season.







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Art by Lerms

May the force of Typography be with you









Advertising Agency: H-57 Creative Station, Milan, Italy
Creative Director: Matteo Civaschi, Gianmarco Milesi
Account Director: Sabrina Di Gregorio
Typographer: Matteo Civaschi



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Post-It, the original Twitter.



“Vintage Twitter. An original that sticks! They are twittastic! We have twittered for 30 years, but in our own way.”

With more than 100 million users worldwide, Twitter has over the recent years not only become a phenomenon, but a widely accepted tool to send short message to each other. Just like when we text each other on the phone, but visible to anyone. Amidst all this, Post-It celebrates 30 years in the business. What initially was considered a failed adhesive turned into maybe the most famous little piece of paper in history. Post-It became the standard for small, short messages and was used both between people and in public spaces, for anyone to see. Vintage Twitter is a loving homage to Twitter, with a reminder that the short message is not a new invention. The box, consisting of 500 Post-It notes (or vintage tweets) and a small pencil, was handed out at Disruptive Code, a conference for web developers in Stockholm, during autumn 2010.





cred: 
JMW Kommunikation, Stockholm, Sweden
Creative Director / Copywriter: Joakim Karlsson
Art Director: Jonas Böttiger
Illustrator: Thomas Olsson
Planner: Niclas Strandh



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ASB creating futures... blah, blah, pretty type...



I don't know exactly what these are for. But I like the typography. Does that make them ultimately a fail... or did I fail? I think they are for financial services. This is when style supersedes substance. I like lint.








cred:
Droga5, New Zealand
Executive Creative Director: Mike O\'Sullivan
Creative Directors: Guy Roberts, Corey Chalmers
Art Director: Guy Roberts
Copywriter: Corey Chalmers




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Is iPad an iFad? Think again.



from Fastco design
If you're not much of a tech nerd, you'd be forgiven for thinking the iPad and the ensuing tablet boom are merely some kind of hype machine. You'd also be wrong, if industry analysts are right. Long story short, 2010 was just the barest tip of the tablet onslaught. In two years time, they'll be more numerous than mosquitos in July, as this infographic lays out.





More here.

Michael Jackson – Keep Your Head Up (Let MIchael rest for a while please)

So a bunch of people have the bright idea to put out a few "new" Michael Jackson tracks. Things that Michael himself refused to put out. There's a good reason for that. It's not his best work. These tracks were shelved for a reason, either they weren't finished, maybe the fit perfectly into a soundscape unheard or MJ dubbed them unworthy. I'd put a little money on the latter. Why are folks digging up the ghost of an incomplete past. I love MJ too, but I can't get with these weak tracks not meant for public consumption.You wouldn't live in an unfinished house even if it was made by Frank Gehry or Zaha Hadid, well I might. But we shouldn't, not in the context of his body of work. This stuff should be viewed, promoted and appreciated as sketches, as concepts of songs. If you listen to the end of this track you can hear direct lifts from MJ's 'Earth Song.' One of his most powerfully riveting consciousness expanding songs, then some wise ass grafts his melodic cries to the end of this well intended but trite flint of a song. This is like attaching a Romare Bearden scrap to one of his early paint spills and calling it art (once again, I might like it, but I shouldn't). One profanes the other to the detriment of both. Mike knew it wasn't ready for prime-time, so he kept it in the closet. You can still hear MJ's genius in the music and some real jewels may be found in the attic. But there is so much more to be heard and understood in the work the artist chose to release and represent.

Here's a snippet of the song.




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Friday's Fresh: Rob Roy - Carmencita






How is this not Andre 3000's version of Cirino de Bergerac? I dig the high weirdness quotient.





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Daily Dope: Audio Inspiration (NSFW)





Snoop & Dre over a dope beat with what's left of D'Angelo lacing the track. It's a few years old but the message is timeless. The trio ask the musical question; where would we be without Hip Hop, can you imagine?



The Girl Effect: The Clock is Ticking






By STUART ELLIOTT

FIFTEEN years ago, Nike made a splash with an advertising campaign known as “If you let me play.” The ads drew considerable attention — and praise — because they advocated the benefits for girls and young women of participating in sports.



Today, Nike’s foundation is taking to heart the concept of “girl power” that was embodied by the campaign, but now it is education, rather than sports, that is being celebrated for its transformative abilities. With an effort known as the Girl Effect, the Nike Foundation — supported by Nike and the NoVo Foundation — is trying to raise up adolescent girls in poverty-plagued, developing regions of the world.
Helping those girls to become better educated, the Girl Effect’s Web site asserts, helps them as well as “their families, their communities and their nations.”
Data on the site shows that positive changes can come in areas like health (the more schooling mothers get, the healthier their infants and children will be) and income (an additional year of secondary school will increase a girl’s wages by 15 to 25 percent).




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Hitler writes posthumous letter to African Ad student

click to read the grossly improbable

To get admission into Miami Ad School Hamburg Germany in 2010, Babatunde Adebola a Young Lion and copywriter from DDB Lagos Nigeria went as far as getting a letter from Adolf Hitler to Niklas Frings Rupp (the D and AD best tutor in the world). He got what he wanted plus the priced Lurzer archive scholarship!

I'm ver y happy for Mr. Adebola, he was able get the quintessential racist to vouch for him to get into the ad school of his choice. This is what it takes to get into advertising today? I thought it was tough in the States. I guess Photoshop heals all wounds.




cred: 
DDB, Lagos, Nigeria
Creative Director: Ola Olowu
Art Director: Ade Ideen
Copywriter: Babatunde Adebola
Illustrator: Ola Olowu




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VW Polo: Tough. Beautiful. Polo

This is the new Volkswagen Polo commercial ‘Last Tango in Compton,’ from DDB UK and award winning director Jonathan Glazer (of Guinness Surfer, Sony Paint and Levis Odyssey) from Academy Films.
Shot in north London ‘Last Tango in Compton’ stars two of the world’s best Tango dancers – Gasper Godoy, Argentinean Tango World Champion, and partner Manuella Rossi, the world number two. The pair dance a specially choreographed routine overseen by one of the world’s foremost choreographers with a unique, simultaneous set-up of over 20 different camera’s following their every move.

That's Cross Cultural!




cred:
DDB, London, UK
Executive Creative Director: Jeremy Craigen
Copywriter: Dave Henderson
Art director: Richard Denney
Account Planners: Leo Rayman, Tom Lloyd
Production Company: Academy Films
Director: Jonathan Glazer
Director of Photography: Dan Landin




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The End of Multicultural Marketing


Below is part of an interesting article from AdAge.com. The premise is that now multicultural should have less consideration and 'Cross-Cultural marketing is preferred. Cross Cultural Advertising and marketing is nothing new and no one is really making that claim. It seems to me a long term - short sighted goal of landing all or most multicultural advertising accounts into 'general market' agencies. We've already see this trend begin and the article references that. 

All I'm really saying is; this is a long a slippery slope and subject. And most often the money winds up in the hands of the same players. But I have faith in the smarts of the Multi-Cultis and the newer-faster-disruptive cycle of things today. This means there's always a fighting chance in spite of the cratered playing field.

Marketers Favoring Cross-Cultural Idea Over Narrowcasting; Idea Over Agency Status


The term "inclusion" is taking on a new definition for multicultural agencies: that of making room to collaborate with general-market shops.

If there was one big theme at the Association of National Advertisers' Multicultural Marketing & Diversity Conference this week, it was that the best marketing idea will carry the day, no matter whether it comes from a multicultural or general-market agency. From the podium and in response to often defensive questions from some of the 610 registrants, marketing executives from Coca-Cola to General Mills, State Farm, Best Buy and Unilever were unapologetic in urging agencies to work together with one another rather than against one another in this regard.

"The pressure is on us to deliver," said Pam El, VP-marketing at State Farm, the country's largest auto insurer. "I need to know that Agency X has my back and they can't have my back if they are at it with each other."

She added, "There is enough business for everybody," so "do your part, bring your best stuff to the table and it will work out for you."

Indeed, it was clear some multicultural agencies are seriously concerned about the migration of business to general market agencies and, in fact, were still smarting from Home Depot's shift of its $37 million Hispanic account to a Richards Group unit in March.

At the same time it's also clear that clients are demanding a holistic approach. "I believe an agency is an agency," said Beatriz Perez, chief marketing officer, Coca-Cola North America. "We put them in a room together and reward those who deliver the best plan." She added that can also work to the advantage of smaller multicultural agencies that don't have enough scale for a Coca-Cola brand but can partner with a larger shop on an idea.
General Mills favors a "brand navigator" approach, said Mark Addicks, its senior VP-chief marketing officer. "We put together a team around a brand or category and the best idea wins," he said. Though the Minneapolis food giant's major agencies are Saatchi & Saatchi and McCann, "the best work often comes from our multicultural agencies," he said.

Speakers were almost universal in their belief that narrow-casting one group, such as African-Americans or Hispanics, is missing the point. Teresa Iglesias-Solomon, VP-multicultural and Latino initiatives at Best Buy, said the company had a tendency to break out three groups: women, Latinos and business owners -- but she herself could have been lumped into all three categories at once. The point, she said, is that there are commonalities within each target group. "We need to make sure we are looking at the whole customer." For example, moms have similar interests whether they are African-American, Asian-American, Hispanic or Caucasian.

That kind of insight was the impetus behind OgilvyCulture, a new "cross-cultural strategic-service practice" now launching from the WPP Group agency.

"It is not multicultural advertising, which tends to focus on specific ethnic markets," said a spokeswoman. Instead, "cross-cultural marketing has the objective of developing one brief for clients designed to communicate across different cultures by celebrating shared values and insights." Ogilvy units that are a part of the initiative are Black Diaspora, LatinRED, RedLotus, OgilvyPride, Young Professionals, Working Parents, Women's Leadership and Administrative Professionals, which will collaborate to "provide clients with a full range of services starting initially with marketing strategy, creative strategy, digital strategy, CRM and analytics," she said.

"It gives us the capability to have a single voice to the consumer," said Jeffrey Bowman, director of OgilvyCulture, who presented at the conference with his client, Ruy Yokoi, brand manager at Unilever. Together, they presented a case study of their effort to launch Hellmann's light mayonnaise to the Hispanic community two years ago, which led Mr. Bowman to the realization that "we didn't need to create a Hispanic agency within our agency," but a cross-cultural one.

When asked whether he had considered working with a Hispanic shop rather than Ogilvy for the effort, Mr. Yokoi said, "I don't want to disparage anyone, but we had been working with a Hispanic agency and the creative wasn't working. It didn't jibe with our general-market strategy."

How? "Every Hispanic ad had a picnic" with a revolving cast of Latin musicians, he said. "It was almost patronizing."

More @ AdAge

Photoshop integrates with iPad, creates the iCantAfford-U machine

With the current price of Adobe's product suite combined with the now almost yearly costly software upgrades. Photoshop wants to combine software with the price creeping iPad to cash rape e'rbody out here. 
For several months, Adobe has been thinking about how it can involve the iPad and other tablet devices in the workflows of Photoshop users, asking users for feedback on what sorts of capabilities they might like to see.



Demo of color-mixing palette tool on iPad

Building on that feedback, the company has now taken its first steps in that direction, as evidenced by a pair of brief demos at last week's Adobe MAX conference in which Adobe Chief Technology Officer Kevin Lynch showed off the company's content-aware fill tool running on a Samsung Galaxy Tab and a color-mixing paint palette application running on an iPad.








see more here.








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Duramax and Allison



Very nice new integrated campaign promoting the Chevrolet Silverado 2011 in the USA.Starring comedians Patrick Warburton and Craig Robinson, the campaign brings the characters Duramax and Allison, which bare the names and attributes in human versions, respectively, the new 4.5 V8 engine Duramax diesel and automatic transmission 6-speed Allison 1000, that come with the new vehicle.

The most interesting part is the rich content of the campaign. A series of commercials and videos, which can be viewed online through the site MaxandAl.com, along with an application called iPhone Truck Smack, the online game "Heavy Dut" and more going on social networks like Facebook, YouTube and Twitter.








cred:
Campbell-Ewald.










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Toshiba makes T-Pain look ignorant (or vice versa?)


OK so the richest guy in the room -- is the dumbest guy in the room? In America today that is very well possible, unless you equate money with smarts. Then T-Pain's auto-tuned genius is like printing money. It was a few short years ago anyway. But the brilliant lackeys all around him can create innovations from T-Pains sloppy seconds? He's better than he knows.
Look out everybody the lovable, laughable, brutish, black man oaf is back. Not since Step'n Fetchit have we seen the likes of Hip Hop's new portrayal of buffoonery. Wasn't there an opportunity in this commercial to do a little more than a celebrity endorsement. This is more like a reverse celebrity endorsement. Opportunity maximized! I guess. It's ok to dress the black man up as a funny guy, really it is, just get the other end of the spectrum right first. There's a lack of balance missing here. Dell used a hip hopper, Dr. Dre, to actually enhance its products as well promote its brand. What score for the marketing team. This spot just goes for the low-hanging fruit of "black guy = funny," that took some research.



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