One Club's Diversity Initiative Takes Step Backward




The ad industry lives and dies by golden pencils, upholding the merits of an organization that tells you who is and who isn't worthy of greatness. This week, the One Club let go of Julius Dunn II, who moved to New York to run Adversity, the One Club's get-diverse-creatives-in-the-biz initiative — a move that will set the club back as a leader in that area.
Dunn, who was not immediately available for comment, just celebrated the end of his organization's first year as a partner with the One Club (he started and owns Adversity — which seeks to bring creative talent of diverse backgrounds into the business). The party was hosted at JWT, where that agency's diversity leader Singleton Beato sang Dunn's praises before a crowd of 200 plus advertising pros and diversity leaders. Our own Kiran Aditham was there, too.
The news came earlier this week, and already the One Club has pulled down a blog and information pages tied to Adversity. Adversity-oneclub.org now points to the organization's education page. The effects of this move have already been felt by top industry creatives. Kash SreeECD at Pereira & O'Dell said "I thought that the adversity program was making huge strides in the right direction. Showing many people who had no idea what the business is about or how to get some accessibility to it. Julius was working tirelessly and selflessly towards that."
To clarify, One Club CEO Mary Warlick informs AgencySpy that the program is not going away, but the partnership with Adversity is ending, "because of financial reasons." Two support staff in the New York office were also let go, as was a full time staffer in the China office.
Adversity, which was founded by Dunn and two Creative Circus colleagues, has been successful in gaining industry recognition. Initiatives include educating youth about the business (after an event headed by Dunn applications to theCreative Circus in Atlanta went up by 200%), speaker and video series, columns on AdAge, seminars, panels, and discussions on career options. Howard University, the National Urban League, Nike brand Jordan, Best Buy, Deutsch, JWT, Omnicom, R/GA and many others had been working with Dunn to strengthen the cause.
Dunn also helped the One Club create a new award, The One Club|ADCOLOR Creative Award (a black pencil), which was presented for the first time to TBWA GCD Jimmy Smith at this year's AdColor awards. The award was meant to highlight creative talent specifically of diverse background for their efforts over the last year — and give it the One Club pencil cachet so the rest of the industry would respect it.
"This is all because of JD's determination and humility in serving as a conduit for change," said Omnicom's Chief Diversity Officer, Tiffany Warren. "His work will continue no matter where he is and I hope the industry continues to support his very important mission."
Warlick reiterated the non-profit's devotion to diversity initiatives, which will include career days, boot camps and continued support of agencies involved in similar efforts. But the organization's internal structure isn't reflective of their beliefs: of the 16 members of their directorial board, only one isn't caucasian — José Mollá of la comunidad. No African Americans, Asians et al, represent the industry.
Even worse may be the fact that there hasn't been an African American judge in the One Show for 15 years or that there isn't one single African American in their hall of fame.
The One Club's mission is "to champion and promote excellence in advertising and design in all its forms," an effort Warlick says is represented (most recently) by the feature length documentary "Art & Copy." Though she would not divulge how much the production cost, "we won't break even," she admitted, adding, "we don't break even on the show, either." We've heard the film cost upwards of $1 million — money that went to "reinforce our mission", said Warlick. Meanwhile, Dunn has packed his things and moved out.
A quick perusal of the cast list reinforces the need for people like Dunn: Lee ClowDan WiedenDavid Kennedy Phyllis K. RobinsonHal Riney,George LoisRich SilversteinJeff GoodbyMary WellsCliff Freeman andJim Durfee. The One Club isn't to be blamed for excluding anyone, per se — but as an industry it might be time to put aside million dollar movies about the art of advertising (however beautiful they may be) and focus on ensuring that the people who do this work are representative of the country we live in. And that's something you can bring to the party.
(note: we initially published this story at 12:00 p.m. EST, and it was up for about 30 seconds when we received an email from Mark Warlick. Prior to that, the story was written without her comments, so we pulled it down to ensure the One Club's side was reflected. We apologize for any concerns this may have caused.)

Zaman Newspaper: Prejudices


Beautiful video released by Zaman Newspaper, the oldest newspaper in Turkey. The video shows that times have changed and we need to break the invisible walls, opening a new era, without prejudice or old concepts. This could work well for the advertising industry today. Creation is the Ogilvy & Mather, with production of Kala Film and directed by Fatih Kızılgök.

Photographer: Roy DeCarava, 1919-2009

A good friend of mine always call photographer's shots captures, I never really get it. But when I look at these shots by Roy DeCarava I feel exactly what he means. Absolute moments suspended; that is a capture. To look at these photos is to almost smell the atmosphere and feel the temperature.



Rest in peace fine sir.


Thanks @raafirivero

Designer: Sam Soulek



ANTM Jumps on the Blackface Bandwagon?


WEDNESDAY OCT 28, 2009 – BY CLUTCH


Here we go again
Looks like Tyra Banks has joined the Blackface fashion craze. Tonight’s episode of America’s Next Top Modelfeatures the remaining contestants on location in Maui. The concept of the shoot is to attempt to make the contestants look biracial — hence some rocking brown skin.
Yes, there was a similar shoot some seasons ago, however, amidst the controversy brought on by the fashion industry’s recent obsession with Blackface, we’re perplexed as to why Tyra chose to give this concept the green light. We understand that the whole Blackface issue sparks heated debate, but that’s only because of it’s historical context. Many see such imagery as purely artistic, but non-White folks are not caricatures meant to inspire costumery.


Clutchettes and gents — we’d like to hear your take on this. Has ANTM caught Blackface mania? If so, is it acceptable when commissioned by a Black woman?

sourced entirely from Clutch (DeDe don't kill me)

Michelle O: Glamour Cover


I think the whole nation is smitten. Michelle O is quite a cover kitten. I didn't intend to rhyme when this was first written. But it seems the words just keep on fittin'.

Jeffrey Thomas: Twisted Princess

here


I love these. Maybe if only because I never think like this. Who would think to dement the Disney Princesses to this extent. It's always cool to see a fresh approach to an old subject and Jeffrey Thomas was certainly up to the task. And just in time for Halloween, these are great costume ideas (Oh Filthy Granduer!)


See more character carnage here.

Brand Jordan: Break to build



After "Simple Math" and "Lead The Charge Field Generals" NIKE is proceeding Become Legendary campaign, created by Wieden + Kennedy to promote a line of sneakers Jordan. Staying in the spirit of team conducted within the court and especially in practice. The video shows that to become a legend you must bear the charges and take the determination and commitment to another level. The name of the video is "Slap" and "Break to Build" turns out to be the new signature campaign. MJZ Production, directed by Rupert Sanders.

How not to write about Africa (A must see)


When Bono edited the Africa issue of Vanity Fair, it included an essay written by Kenyan writer Binyavanga Wainaina. Through that, we became aware of another piece he'd written for Granta a number of years ago called "How (Not) to Write About Africa." Director Jesse Dylan and his company FreeForm worked with Binyavanga and the Beninois actor Djimon Hounsou to create this filmed performance of the essay. Thanks to W Hotels for the location and Kenyan musician Ayub Ogada for the music.


Read more here.

Cadbury Dentyne Ice | Squid


Cadbury and his videos nonsenses. This new video is to promote the Dentyne Ice in Thailand. The video shows a woman taking her husband's jealousy after feeling his breath. Bizarro what happens. The creation of the McCann Worldgroup is Bangkok,with production of Mum Films and directed by Suthon Petchsuwan.

Carol's Daughter: Magical Beauty Collection



To promote the film and the idea that young black girls are indeed beautiful, Disney has partnered up with Carol's Daughter to launch a specifc line of products. The Magical Beauty collection consists of a four peice bath and body line which includes shampoo, conditioner, hair detangler, and bubble bath, ($10 US each) Sold at Carol's Daughter, Macy's, Dillards and Sephora.


seen @ sam tam

Aphro Chic Blotter Business Cards


Abbie at Passing Notes is a master of refined print design. Her type is always exquisite and these cards for her client Aphro Chic were a pleasure to print. They are on a thick 60pt blotter stock with a flood of bold geometric pattern on the back and two color letterpress on the front. The blotter sheet has a pulpy appearance with lots of soft fiber texture. We printed the business cards along with a note card on the same press sheet so the print dollar went a bit further. The business cards were edge colored in a PMS match yellow for the perfect finishing accent.

http://www.beastpieces.com

Snickers: Get Some Nuts






Mr. T is back in a slew of slightly less offensive commercials. He still insist that you 'get some nuts', but this time it's not because you are a man wearing short-shorts and doing an accelerated twisty walk through the burbs. Not that there's anything wrong with that.












cred:
AMV BBDO

Interview: Kishya Greer

One of my favorite things about social media is the almost kinda sorta true social aspect of it. I mean you really do get to meet people. Better still you get to meet interesting people. You know the kind of people you actually read their email and dig what they have to say. Here's one such person; Kishya Greer, She's one of those smart designers that can hold her department down. She's smart, creative and has initiative. She's moving ahead and I suspect nothings going to stop her. I go on and on about the future looking bright due to smart young people like her, well you're going to want to adjust the brightness on your monitor yet again because the glow just got greater. Read below and glimpse the greatness.


How did you discover design?
I discovered design in high school actually. I love music and I had a lot of CD's then and a huge CD book filled with my favorite albums. There where slots for the CD's on one side and a slot for the matching CD booklet on the other. I never wanted the booklets to be damaged in the so I would spend hours on my Grandmothers computer designing square inserts to match my favorite CD's to put into the book. I remember matching colors and trying to match typefaces and putting horrible effects on the type as well. I had no idea I was designing or that there was a career path I could take doing this all day. I was just having fun. Around that time I would also hand draw the type treatment from my CD's onto regular printer paper. I would spend time getting it just right then fill in the color with jelly pens. I still have some of these stored away. Here and there I stumble across them and sort of laugh and wonder how I had time for it.


I had a class in high school my senior year where I learned all of the Macromedia programs (Flash, Fireworks, Dreamweaver). A guy from the Art Institute of Dallas came to talk to the class one day and I thought it seemed cool that I could be a animator or design for a living. I went to schools open house not long after that with my mom and I started school at the Art Institute a week after graduating from High school and I fell in love from there. Since I went straight from High school I graduated at the age of 21 with a BFA in graphic design.



How is your ethnicity a source of inspiration or strength in your work?
Or is it just sort of a default setting that has little bearing.
I think that being a Black American has an impact on design expectations but it is not a huge impact on my work. It puts expectations on me from every angle. I have been expected to spice up social media pages with falling stars or horrible effects like that. I usually have educate people and say "What you see as the "fancy" pages is not good design and I am not following the pack by replicating that." Sadly rap CD covers make some people think tacky is good. In my work I try to do very clean design. In the 90's when Cash Money Records was a big deal with all of its badly designed CD's it bothered me till no end. That was before I was into design and it still got under my skin.


In a corporate world I think being Black American woman maybe at first glance some may have low expectations of me until they see my work. Once my work starts to talk for it's self I have people that only want to work exclusively with me. So yea, it does have an effect but not a huge one. As a designer the work that you produce speaks much louder than your skin color.

I really have not used my ethnicity as a source for inspiration. I use my life experiences as a source. I have come to learn that no matter what your background we all usually have some of the same experiences no matter the ethnicity. Depending on the culture people may have a different spin on the same experience but there is much more in common than the differences. If you are a 80's baby you remember the same cartoons and toys no matter the skin color. I can mention a Glo-Worm and a select set of people will get excited and go into stories about their Glo-Worm or lack of one. There is always a link to other people and that's what I like to pick up on. It makes the world seem smaller.

Is being a woman designer different from being a man designer?
Not all positions or projects are given based on quality of your work and passion for the job. In most situations it really does not matter what I am. But, there are very few situations where it effects the progress in my career path.


What aspect of design do you really love? Logo design, typography, type design Layout, etc?
I just have a strong hunger for design and the only thing that helps ease my appetite is learning and doing new things. Design is really my life. I dream about it and I critique menus when I eat at restaurants. The designer light is always on in my head. I look at things and think about how I can make things better. Always up for a good challenge.


I love logo design and typography. For all active designers we know that it takes time and a lot of brain power with a dash of luck to pull off a great logo. I want to learn much more about typography. It is a challenge to work with it in a way that is innovative.




What's your dream job?
That is a tough question. My dream job would be a position where I am making a difference. It could be behind the scene in a marketing team pushing for a better way of life or something as simple as making someone laugh at a ad. A good print price can bring people together if done right. The paper choice, typeface, and spot varnish are all things that make a difference in the tone of a piece. Here at my current position I do a lot of internal event posters. People working here in a bland office see the posters and stop and read. They also attend the events and have fun. That little bit of joy to a persons day is my aim. As long as I am not just working for food but I am actually helping others, I will continue to be happy. I'm excited about the future and all it has for me.


Can you discuss any specifics about the process of creating a few of the pieces you sent?
The black pocket insert (with the number one) project was brought to me with the goal of communicating that the company was ranked number one in a number of segments by the Black Book of Outsourcing.


Since this was used at a conference where lots of letter sized collateral pieces are handed out, this piece was made to fit in your shirt pocket. The thought was to free up the hands of people that came by the booth. We received feedback stating they loved that they could stuff it in their pocket and keeping their hands free. Of course they had to read it to find our contact information to give feedback. Needless to say, the small size worked for this project along with a clean design.



Any advice for neophytes?
Be persistent and keep pushing yourself to the next level. Get a design mentor. They will teach you and help you become much better at what you do best.

See more of Kishya's design and musings here & here.

Jet Magazine covers: 1951


The Jet headlines of 1951 were just as outragieous and as scandalous as news headlines today. 'Negores with White slaves? Where people make love?

The 'sex habits of Negro women'? 'Dope in the church'?

House 'wives of Negro millionaires'? I think that show is still running. 'Why nightclubs are dying'? I think that show is still running too.

More here.

Musou Music Publishing: Sophisticated/Bad



L-l-l-l-let me get this straight. White notes equal good music, Black notes equal bad music. White notes equal 'sophisticated'. Black notes equal homicidal and evil? I believe even a subtle repetition of imagery, words and perceptions add to an endless cycle of hate and derisive attitudes towards people of color.













Advertising Agency: Lowe Athens, Greece
Creative Director / Art Director: Yanna Polydouri
Copywriter: Rena Chrisoulaki
Illustrator: Panagiotis Fotos

Helen Hsu: Squareness



This is a beautiful take on cubism with an interesting tie in of African-like art. I'd like to see a lot more of this series. Sadly this was the only one. :(

LeBron James: Play With Heart.




Feature on nikebasketball.com. 
http://www.nike.com/nikeos/p/nikebasketball/en_US/athletes/playwithheart

LeBron James is one of the most magnetic players ever to step into a basketball court. He's not only a great athlete but also a person who gives all, in every situation. He shows resilience in the struggle, plays every moment with passion and the pure drive to win. In october 2009 he pledged his heart to the game. Will you?

I worked on this project as lead designer seting the overall mood and color scheme, creating the enviormental images, the branding, web interface, wallpapers, and a font for the personalized bage the user gets after pledgeing. All aspects of the site was designed so it could be localized to the different regions of the world such as Asia, Europe and South America.

Produced @ R/GA

Other creatives/producers who in some way contributed to the project: Ryan Romero, Ray Sison, Colin Kim, Jason Hoff, Nigel Goodman, Jill Nussbaum, Andrew Hsu, Cesar Marchetti, Diego Zambrano, Seth Cheeks, Josh Balik, Thomas Chan, Tai U, Peter Knif, and Douglas Dousier.




cred:

Creative Direction;
Douglas Dauzier
Colin Kim
Jill Nussbaum
Andrew Hsu
Jim Hord

and the always funky... Mr. Jason Hoff, ladies and gentleman!!

Art Direction;
Rasmus Wangelin
Diego Zambrano
Cesar Marchetti

Design;
Ray sison
Seth Cheeks

Interaction design;
Ryan Romero

Producer:
Nigel Goodman

Quality Assurance
Adam Cantwell
Nauman Hafiz

Programing;
Josh Balik
Tai U
Peter Knif
Thomas Chan