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Inspiration: Dan Tobin Smith


Artist Dan Tobin Smith doesn’t build his works in photoshop– he carefully selects a world of color and creates these chromatically-bisected works of art by hand. You’ve likely seen Smith’s work before, he created the album cover for Jay Z’s The Blueprint 3 (which we talked about moments ago in another post). Long before the Jay Z album cover, Dan Tobin Smith developed a style so unique, so different, that his work is gaining international acclaim by the minute. When Jay Z’s latest album goes platinum, that’s essentially a million copies of Smith’s work sold into the public. see more at dantobinsmith.com


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Coca-Cola: I Wish (2004)


Sharlene Hector is a name that has been on my radar for a couple of years now, mainly through collaborations with other artists and the odd solo track here and there. Those of you who think that you’re not familiar with her may be surprised to find that you actually do recognise her face/voice from the 2004 Coca-Cola ‘I Wish’campaign. The TV commercial featured Ms. Hector covering Nina Simone’s I Wish I Knew How It Would Feel To Be Free. Touching.

Appreciated @ Soul: UK
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Serena Williams: Tampax


Serena serves up some feminine hygiene products and manages not to shove them down your throat (I had to). Instead they come off with soft and humorous selling proposition that in many ways works. There's no avoidance of blood/fluid issues they just take it lightly and joke about it. I'm little surprised at the demeanor but pleased with the delivery. I'm the most squeamish person on the planet but if I can handle it I think most everybody else can. It would be interesting to have a woman's perspective on this. Ladies... ? https://sites.google.com/site/mayuradocs/PinIt.png

One Year of Kissing Black Ads


Kiss My Black Ads is one year old. 1 year and nearly 1000 Post equals 1 Bodacious Black Baby Blog! What started as a way to archive inspiration became a missing for minority advertising creatives. It has been a crazy ride. Along the way we've had the opportunity to guest post for AgencySpy, featured in a magazine or two, quoted by advertising age once or twice, misquoted a hell of a lot, misrepresented a scosh, loved on & lied on & linked to, harassed by klan members, slapped in the ass and punched in the face and we will appear in a book or two due out early twenty-ten. These are just a few of the things I can remember at this sitting. It has been a Black ads blast! So either the blog will get better or teeter and die, who knows. Either way I want to say thank you, yes you. For supporting me/it/we, Setting me straight on a few things, commenting on a few things, leaving brilliant thought provoking remarks, leaving hilarious remarks, leaving hateful remarks, understanding, sending amazing links, sending ad files from agencies around the world, GROWTH INDUCING INTERVIEWS, proving that in spite of advertising's sometimes indifferent stance, there are some amazingly kind, smart, creative, fearless, engaging, caring, funny people out there.

Thank you.

Thank you.

Thank you. https://sites.google.com/site/mayuradocs/PinIt.png

SW Suits: Christopher "Kidd' Reid


L-(the F)-O-L. https://sites.google.com/site/mayuradocs/PinIt.png

Illustrator: Victor Hugo Ortiz Gonzalez


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Cultural Wisdom by Seth Godin

It's very easy to underrate the value of cultural wisdom, otherwise known as sophistication.
Walk into a doctor's office and the paneling is wrong, the carpeting is wrong and it feels dated. Instant lack of trust.


Meet a salesperson in your office. She doesn't shake hands, she's fumbling with an old Filofax, she mispronounces Steve Jobs' name and doesn't make eye contact.
Visit a website for a vendor and it looks like one of those long-letter opportunity seeker type sites.
In each case, the reason you wrote someone off had nothing to do with their product and everything to do with their lack of cultural wisdom.

We place a high value on sophistication, because we've been trained to seek it out as a cue for what lies ahead. We figure that if someone is too clueless to understand our norms, they probably don't understand how to make us a product or service that we'll like.
This is even more interesting because different cultures have different norms, so there isn't one right answer. It's an ever changing, complex task. Cultural wisdom is important precisely because it's difficult.

And yet...
Who's in charge of cultural norms at your organization? Does someone hire or train or review to make sure you and your people are getting it right? At Vogue magazine, of course, that's all they do. If they lost it, even for a minute, they'd be toast.
It's funny that we assume that all sorts of complex but ultimately unimportant elements need experts and committees and review, but the most important element of marketing--demonstrating cultural wisdom--shouldn't even be discussed.


Art by Jared Nickerson https://sites.google.com/site/mayuradocs/PinIt.png

Illustrator: Mat Tahan


relish here: mattahan.deviantart.com https://sites.google.com/site/mayuradocs/PinIt.png

"Say My Name" Documentary from Wieden & Kennedy Entertainment



A documentary by Wieden & Kennedy Entertainment... Well I'll be Dan! It looks good too. There is also an accompanying blog to support this not just as a film but a worldwide empowerment movement. Female emcees stand up! 

"Written, produced and directed by Dutch filmmaker, Nirit Peled, Say My Name is built around the lives of entrepreneurs, mothers and artists fighting to be themselves in a society that offers few opportunities for women and in an industry run by men and noted for its misogyny.

The female artists, who include Erykah Badu, MC Lyte, Monie Love and Estelle"

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Pantonecans®: Nico189



“In the line of the variations around Pantone, a personal project carried out by artist Nico189. Baptized “PANTONECANS®”, An object which is not intended to become a commercial product.”


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Adversity Anniversary: JOIN THE PARTY


The One Club-Adversity invites you to participate in the One Club-Adversity anniversary party, October 7th at JWT. Join us as we celebrate Adversity reaching its one-year mark in partnership with The One Club, promoting multi-culturalism and diversity in our industry. The event is meant to bring young creative professionals together that aspire to someday be one of the great minds honored on the One Club Creative Hall of Fame. This is sure to be an excellent opportunity to meet and greet others that share your passion for great work in advertising and design.

Visit: www.adversity-oneclub.org for info on how to RSVP. https://sites.google.com/site/mayuradocs/PinIt.png

Complex Magazine: Clipse x KAWS 2009 Oct/Nov Issue



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Princess & The Frog Poster No.47 (I think)


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Illustrator: Andrew Bannecker


See More: http://andrewbannecker.com https://sites.google.com/site/mayuradocs/PinIt.png

ADCOLOR Behind The Scenes: The Shoot - A Portrait of the 2009 ADCOLOR Awards Steering Committee


Support.



cred:

The ADCOLOR Industry Coalition


2009 ADCOLOR® AWARDS SPECIAL PROJECTS Sub-Committee

Project Manager:
Todd Triplett
FreeDMC

Photographer:
HassanKinley
Hassan Kinley Photography

Producer:
ErnestMontgomery
The Ernest Montgomery Group

Videographer and Behind The Scenes Documentarian:
KirstenMagwood
P.O.P. Media

The Shoot Coordinator:
Michelle Newson
Onederland Events LLC

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COMBO a collaborative animation by Blu and David Ellis




Well it's Friday, you made it through another head mushing week. Since you don't feel like working anyways, you may as well open your big cheesy dome up and slather in a little inspiration to what's left of that cottage cheese you call brains. This is some STOP (whatcha duin' cuz I'm about to ruin the image and style that ya used to..) ANIMATION. This wonderful piece of wizard-videography is a collaborative animation by Blu and David Ellisyear 2009 http://www.blublu.org
http://www.davidellis.org
produced by studio cromie
http://www.studiocromie.org
music by Roberto Lange
http://www.robertolange.com
made at Fame festival 2009
http://www.famefestival.it
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Interesting Article on using Social Media

By Matt Van Hoven on Sep 24, 2009 11:15 AM

During a panel called Social Media, Social Change, R/GA EVP, CCO Nick Lawexplained the difference between today's marketing tactics and those borne of the 50+ years when the TV storyline ruled.


"You insinuate your way in by giving them things they want and need," he said, meaning that in order to get noticed by the demographic/psychographic you're aiming at, providing value comes second to stepping on the field.


Law and R/GA's campaign for ThatsNotCool.com utilized the power of social media and Google to earn $25 million for the cause. Law said the Google network did a lot of the heavy lifting, but having a relevant story helped.


He went on to explain that the reason this campaign worked as well as it did socially stemmed from the fact that it hit on four very important factors. It was interesting, legible, relevant and true — which made the video and accompanying campaign that much more palatable for consumers who watched/participated.

Asked what else makes social networking so effective, Law stated that they promote behavior, as opposed to being a pure message platform. In other words, social networking not only allowed for a call to action but it provided an easy means for people to participate, respond and help without coming off as too preachy. In this case, teens (who are obviously averse to taking the "don't tolerate abuse" lesson from parents) were given the tools to create their own change.

But the overarching theme of the day was just how great Google was in making all this happen. Rather than taking that at face value, consider this: if Google has the network capability to make R/GA look like kings for a campaign about text message abuse, imagine what they're doing for less altruistic clientele. The company can use campaigns like this, at Advertising Week, as case studies for why your agency should work with them. Between YouTube, search and the rest of Google's network, the possibilities are frighteningly endless.



Cntrl: C + Cntrl V from AgencySpy

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Serena Williams for Tampax



Tennis pro Serena Williams has signed a deal with Procter & Gamble Co. for its Tampax ad campaign, the company said Monday.


Williams, who in mid-September made news for yelling at a judge during a U.S. Open match, will appear in a series of “playful, lighthearted” print ads, according to a company news release.


The ads, part of Tampax’s “Outsmart Mother Nature” campaign, will begin in October.


Procter & Gamble (NYSE: PG), headquartered in Cincinnati, develops, manufactures and markets consumer products and pharmaceuticals.

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Adidas: Air Cooled





Thanks to Marta @ 180 Amsterdam (That's Love)










cred:

Executive Creative Directors: Andy Fackrell & Richard Bullock

Creative Director: Dean Maryon

Creative: Sam Coleman

Creative: Peter Albores

Account Manager: Lauren Andrews

Account Director: Sam Dempsey https://sites.google.com/site/mayuradocs/PinIt.png

Georgia Anne Muldrow: Runaway




This is one of the most beautifullest things in the world. It's just so much visual fun. It's done in a 70's cartoon style very reminiscent of the Jackson 5 animated series. The colors and the lines are all spot on for a real throwback look and feel. When I first saw it over at SoulBounce I almost pushed my laptop onto the floor. It's just so diggable. https://sites.google.com/site/mayuradocs/PinIt.png

Nike x Patrice Evra: The Game Is Never Over




Nike have teamed up with Manchester United and French international footballer, Patrice Evra, to create “The Game Is Never Over”, and ad for their Autumn/Winter 2009 AW77 hoody. Its great to see a bit of fun creative advertising still out there and I’m loving the retro 8-bit style video game animation style which takes me back to my youth.

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Coalition to Stop the Use of Child Soldiers: England





cred:
Miami Ad School Europe, Hamburg, Germany
Art Director: Sara Kujundzic
Copywriter: Ruchir Sachdev https://sites.google.com/site/mayuradocs/PinIt.png

AT&T: Predicts the future in 1993 ads


Ok, so this totally worked out. Now if AT&T can lower those rates and raise the bar on simple old fashion human to human customer service, they might really be on to something, well quite revolutionary! https://sites.google.com/site/mayuradocs/PinIt.png

Go see this now.



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Power & Equality in Advertising ((re post))


I love this. You could pretty much put an afro on an ass and I'll post it. It is such an iconic reminder of Black Power and the Black Power movement.

I wonder how do we take power in the advertising industry. For me it was starting my own shop. I don't answer to the same old power structure but have to deal daily with the same influences. It's still very empowering. In the 60's & 70's we found our way to the beginnings of real power through ownership and activation of communities, organizations & individual efforts. During reconstruction we got busy with the vote and elections and made things happen. Until some Americans realized that we were taking office and making changes. (Watch out Obama) But advertising seems to still be holding on to ways of old.



What do we do? How do we get in? Do we really want in? Will getting into advertising a major numbers render us impotent? Like before segregation ended in the states (did it really), there were bastions of black businesses. After segregation... well, not so much.
When and if total integration happens in the industry what happens to Global Hue? What happens to UniWorld? If major advertising houses reach a number of say 12 to 15% African American staffing (and that is al it would take) across the board. Do we loose power? Are we needed, As African American Agencies?



You know the holding companies are going for all the dollars at that point. Can you blame them? Can we still seize power? Jesse Jackson Jr. says, I'm paraphrasing, "The problem with the black power movement was that after all the protesting and marching and a few civil rights were granted, they simply kept marching and protesting. They never seized the all elusive but necessary power!" We can't come out on the other side of this racial issue in advertising as marketing eunuchs.



I swear this started as a blog post about Afros & Assholes, Then I changes the title to 'The Proud, The Proper & The Powerless, Blacks in Advertising,' I don't know how I got here. https://sites.google.com/site/mayuradocs/PinIt.png

Creative Truths Poster Series: Shirley Ann-Dick (re post)





Creative Truths poster series by Shirley Ann-Dick
Just lovely! https://sites.google.com/site/mayuradocs/PinIt.png

Luster's Renutrients: Chrissette Michele


We had a little something to do with this. I don't know how much I can talk about, but you know black hair care R us at culture advertising design. Nice product placement friends at Luster's!

It would nice to see how this campaign gets fleshed out. https://sites.google.com/site/mayuradocs/PinIt.png

Movie Poster/Trailer: Black Shampoo


It’s telling just how black male actors in contemporary mainstream movies and television have been almost entirely de-sexualized, especially in comparison to their blaxploitation forefathers of the 70s – an era in which we saw over-sexualized representations of black men in countless films.


The trailer below could be for almost any film made during that period – he’s great in the sack with the ladies (both black and white), and he’ll kick your ass – or more specifically, Whitey’s ass! That about sums up a lot of them! He may as well have been a walking penis… a walking penis with martial arts skills… and a gun… plus a blow-dryer in this specific instance.

A true renaissance man

Thanks Sweetback!

I dare any of today’s black male actors to be even half as bold.

John Daniels plays Jonathan Knight, the owner of “Mr. Jonathan’s,” the most successful hair salon for women on the Sunset Strip.

His reputation as a lover has become so awesome that he is sought after almost as much in that capacity as he is for his experience as a hair stylist!

Everything is cool for Jonathan until he messes with the mob in an effort to protect his young attractive receptionist from her former boss.

Action explodes when the “love” machine becomes the “killing” machine. Jonathan, chainsaw in hand, gets down to the get down on the vicious mob gang that wrecks his shop and kidnaps his woman.

Here’s the Black Shampoo trailer below:



Scripted from Shadow & Act https://sites.google.com/site/mayuradocs/PinIt.png

Ambient Advertising: Obscura


Obscura CueLight from Gizmodo on Vimeo.

Obscura CueLight. It’s literally as if someone took the Microsoft Surface Computer and a pool table, forced them to get married and have a kid…. the CueLight would be their honor student. The CueLight uses a conventional pool table as it’s canvas and the paint brush is an overhead projector equipped with sensors and motion detectors. The projector creates images on the pool table based on how the game is played. As the balls are hit and roll around they reveal an image that seemingly appears underneath. The system is fully customizable with the ability to trail flames behind balls and project a pool of water on the table that ripples with the motion of the balls. Not including the cost of the pool table, the CueLight treatment will run you about $80,000. Scratching on the 8-ball never looked so good!Source


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Art Design Inspiration: Plan 9000

















Plan 9000 has one of the most engrossing photo streams I've ever seen. Insightful, disturbing and often funny. It's really worth a peep.


PEEP https://sites.google.com/site/mayuradocs/PinIt.png